Club 120, Toronto, 2012. Photo courtesy of the author.
Marvellous Grounds is the first publisher of this essay. Rahim Thawer (2017). Defending Uncritical Art has Consequences. In Special Issue #2 – Bodies as Archives: QTBIPOC Art and Performance in Toronto, Marvellous Grounds.
I grew up in Etobicoke and went to a racialized-majority middle school and then a white-majority high school. My undergraduate education spanned a few institutions, and in each one, I found enclaves of people o