Subscribe to our RSS feed

Articles tagged with: Toronto

May16

Gaga inspires a pop culture romp

Thursday, 16 May 2013 Written by // Bob Leahy - Editor Categories // Arts and Entertainment, Performances, Bob Leahy

Bob Leahy reviews “Of A Monstrous Child: A Gaga Musical” playing at Buddies in Bad Times Theatre, Toronto until May 26

 Gaga inspires a pop culture romp

photo of Kimberley Persona by Alejandro Santiago

Stefani Joanne Angelina Germanotta came in to our collective consciousness, although not by that name, only five years ago. She has grown to become, according to Time magazine “one of the most influential people in the world”, a ubiquitous presence in pop culture and a grandiose persona likely even your grandmother will be familiar with. Some will say her star has faded a bit of late. Yesterday's child, maybe.

So the challenge for Ecce Homo Theatre was to fashion a tribute to such a larger than life character as Lady G. into a small theatre environmental experience that a) appeared current and b) didn’t suck.

It’s hard to describe this show but let’s just say it’s a larger than life treatment of a larger than life character - and very queer. Turns out Our Lady of Gaga twirling at its vortex is a surprisingly complex and engaging subject for study. She’s no dumb blonde, we learn from her words and those of others, which have been transcribed to form the bulk of a very literate and engaging script.

The device to tell this tale comes in the bizarre form of Leigh Bowery – “wiki me” says Bruce Dow who plays him, for the particulars. (Bowery died of AIDS in 1994 by the way). Bowery births – literally, and what a coup de theatre it is - a full grown Gaga. Next we meet Little Monster (Lady G. fan) played exceedingly well by Tyson James.  Bowery, grotesque in layers of clownish make up and balloon-like costume is both electric and grandly entertaining as he guides Little Monster through encounters with a variety of pop culture luminaries who either shaped Gaga’s persona or otherwise had something to say about her.  So in short order we meet Boy George, Cher, Grace Jones, Elton John, Bjork, Madonna, Yoko Ono, Michael Alig, Andy Warhol and Quentin Crisp. Quite the cast of characters!

Staging is imaginative, knowing, as glitzy as it should be and often wickedly funny, thanks to dozens of costume changes, and wacky props. There are strong musical moments too. The Lady Gaga catalogue, it seems, was mostly not available, but there are references to her music throughout the lively score. Radiohead’s Creep is used to stunning effect in a prison scene with Michael Alig and Lady G sings The Edge of Glory at the climax of the show. But the attraction here lies largely outside the music.

The cast is superb. Stratford veteran Bruce Dow and Tyson James (whom we last saw here in Arigato Tokyo) have most stage time and both inhabit their characters extremely well.  Gaga played by Kimberley Persona is a lesser character, but nevertheless shines, as do the three men taking on multiple parts in this very accomplished ensemble piece -  Gavin Crawford, Chy Ryan Spain and Kyle Travis Young

This weird, wacky and very hip show tries very hard to please and does, but its truly stellar moments - and there are quite a few - come interspersed with  some seemingly aimless interludes. Nevertheless it's highly recommended even if you hate Lady G.  3.5 stars (out of 4). 

Written by Alistair Newton, Produced by Ecce Homo Theatre

WHERE: Buddies in Bad Times Theatre, 12 Alexander, Toronto, M4Y 1B4, 416-975-8555 , www.buddiesinbadtimes.com

ADMISSION: Pwyc-$37

WHEN: runs to May 26, Tue-Sat 8 pm, Sun 2:30 pm

You can follow Buddies in Bad Times Theatre on twitter at @yyzbuddies 

May04

Winning AIDS Conference logo

Saturday, 04 May 2013 Written by // Guest Authors - Revolving Door Categories // International AIDS Conference , Conferences, International , Revolving Door, Guest Authors

Tanzanian youth working with Toronto-based Charitable Organisation wins global logo design competition for International AIDS Conference

Winning AIDS Conference logo

Toronto, Canada – A Tanzanian youth, with links to a Toronto-based charitable organisation, was today announced as having created the winning logo design for AIDS 2014 - the 20th International AIDS Conference – being held in Melbourne, Australia in July 2014. This follows a global competition for youth aged between 10 and 30 years old launched by the International AIDS Society. 

Yohana Haule (21) is a young artist who has been working with the organisation Africa’s Children-Africa’s Future (AC-AF) since October 2011 through their office in Dar es Salaam. AC-AF first met Yohana at his secondary school graduation. Current Executive Director, Dave Christie and founder of AC-AF, Gita Jaffe, were attending as guests of the school and another youth in their programming. Drawn to Yohana’s talent, he would become the first recipient of the AC-AF Youth Leadership Award. The award looks to strengthen the youths’ skills to develop promising talent into concrete actions that can help the youth achieve their dreams. Since then, he has become the resident artist for the organisation, producing artwork used in programming resources for children and in awareness materials currently being used in Canada.

As Christie explains, “This is an incredible achievement for a young man from Dar es Salaam who, like many youth in Tanzania, has faced many hardships to get to where he is today. When we first met Yohana, we were not only struck by his talent, but by the messages that he was portraying through his art. One of the first images he showed to us was a depiction of the roles women play in Tanzania – both in the strength they bring to the country but the burdens they also face. In Sub-Saharan Africa, the burden on women in the AIDS epidemic is particularly harsh, and here was a young man willing to confront some of those issues.”

Toronto has strong links to the International AIDS Conference having hosted the 16th conference in 2006. As a legacy to that conference, the Global AIDS Initiative was established by the City of Toronto, to fund programming concerning HIV and AIDS undertaken by organisations working in sub-Saharan Africa. For the last two years, AC-AF has been part of the coalition of organisations utilising these funds for its work in Tanzania with children and youth. As a result of the budget passed in January at City Hall, this funding will end in August 2013. Although the financial legacy of AIDS 2006 is coming to an end, the work that the City of Toronto has enabled AC-AF to undertake, including with Yohana, will ensure that the contribution of the people of Toronto will have a lasting impact on AIDS 2014.

For AC-AF, this provides a moment of pride in the accomplishments of the youth they work with. At the heart of their programmes and ethos is a continual focus on the potential of children and youth. As Christie explains, “Our programming does not look to just help children; it is aimed at ensuring children and youth help themselves, both now and in the future. They need encouragement to increase their independence, ensuring that they can support themselves, their families and their community, while fulfilling their dreams. Yohana exemplifies this. Although we are able to provide him with some of the initial opportunities, it is ultimately his effort and talent that has brought him this recognition by the International AIDS Society.”

Yohana will continue to work with AC-AF before travelling to Australia in July 2014 to be officially thanked at the conference for his design. This will be the first time that he has travelled outside of Tanzania.

For more information about Africa’s Children-Africa’s Future (AC-AF) visit: www.ac.af.com.

For more information about the AIDS 2014 conference visit: www.aids2014.org.

May02

Mass exodus

Thursday, 02 May 2013 Categories // Lifestyle, Philip Minaker

Philip Minaker on Ryerson University’s School of Fashion and the largest student-run fashion event in North America.

 Mass exodus

Since its very humble beginnings in 1852 as a Teachers College, Ryerson University has evolved from a single concept discipline into an ever-expanding campus. Due to the diversity of programs and degrees currently being offered to its 100,000 plus students, one could refer to it as “The Heart of Toronto”. The fact that attending students are drawn from across Canada as well as from around the world adds to the phenomenal recognition it continues to build upon as a world-class institution. 

From its transition into a recognized Poly-Technical Institution in 1948 to a full-fledged University in 1993 Ryerson has evolved with the times. “Mind and Skill” has been their motto and it continues to inspire their cutting edge approach to offering the best education in a multitude of disciplines. 

Among the many distinguished Faculties at Ryerson is the School of Fashion. Established in the late 1940’s, it continues to garner  international attention with its guiding principles of heritage, diversity and innovation. Alumni from the fashion design program are now scattered across the globe. 

Since the late forties, the final year students have come together to participate in a fashion show that shines a light on their diverse and well-crafted visions. Rebranded 25 years ago as “Mass Exodus” as a way of integrating the talents of the students in the Schools of Fashion, Theatre and Radio and Television Arts it has become the largest student-run fashion event in North America. The focus has remained on the runway creations created by up and coming designers now equipped and eager to begin their careers. The production value of the show was of a standard any international designer would have been proud to be apart of. This also opens the door to the various possibilities of the technical support from the affiliated faculties and departments. 

Hosted for the first time at the newly renovated Maple Leaf Gardens (yet another Toronto landmark and recently acquired addition to the Ryerson Campus) it was attended by a near sold out crowd. The newly named  “Mattamy Athletic Centre at the Gardens” was an added touch that made Mass Exodus’s 25th year anniversary a true spectacle. 

The second floor (now regularly housing basketball courts) was transformed into an exhibition hosted by a variety of students who are graduating from the four-year program in Fashion Communication. A variety of topics was explored and presented in a thought-provoking manner. Each student was given their own designated area to construct and express their point of view. Integrating their areas of interest with the acquired skills and technology gathered from this program it was evident their futures hold much promise. 

The third floor (now regularly housing a hockey rink) was meticulously transformed into a fashion show venue that included four huge overhead screens directly above the square shaped runway. Approximately 100 graduating students showcased their designs during a daytime presentation attended primarily by friends and family. The evening presentation featured twenty students and was attended by industry insiders, sponsors, media and the general public. 

This year was a departure from a theme-based event that enabled the students to design collections based on their own inspirations, passions and visions. “The Prism” was a token nod to formulating a concept vague enough to allow the students to follow their hearts rather than attempt to fit into a designated theme. It was also an excellent strategy for Ryerson to showcase the diversity of its various disciplines. It was the coming together of the various skill sets that truly made Mass Exodus an excellently crafted and cohesive event. 

Each up and coming designer was introduced prior to showing their creations via video presented on the huge overhanging screens. Each gave their own unique slant on why they are pursuing careers in fashion design and what inspired them to create the looks about to be presented. It was a brilliant way to introduce and highlight their unique perspectives as well as draw focus to their diverse areas of interest and talents. 

Fabrication, design, creativity or simply a commercial alternative to the trends flooding the current marketplace were various elements highlighted by the twenty selected as the crème de la crème of the graduating class. 

Categories ranged from women’s apparel (lingerie, sportswear, evening wear), men’s wear (sportswear, casual, suiting) to fantasy. Some even opted to showcase pieces designed for both sexes. The intent was to showcase the current philosophy of each designer as they begin to hone and define their brand identities and build upon their commercial appeal. 

Regardless of the designer, the pieces were meticulously constructed and complimented with their own choices in models, hair, makeup and accessories. The event was also live streamed around the world to various affiliated universities, colleges and other followers of the Ryerson University. 

What a shame a Canadian television network did not seize this opportunity to telecast “Mass Exodus”. Considering the twenty showcased came from various parts of the country it would have  been an ideal way to celebrate our homegrown talent while acknowledging the rich diversity of our nation. 

Here are the twenty participants in this years’ “Mass Exodus” along with their design sensibilities: 

Renz Jayson Araja – Women’s eveningwear that features updated classic silhouettes.

Mikaela Skoretz- Women’s wear designed with a focus on textures and knits.

Michelle Nguyen- Her Ming label emphasizes details and construction in men’s wear.

Anastasiya Kuyevda – Women’s sportswear inspired from the great outdoors.

Yu Sun Kang- Her Nusuy label celebrates the playful nature of women’s wear inspired by her love for Peter Pan.

Corinne Furniss- Her Sea Collection is a unique yet creative take on oversized purses and bags primarily made from leather.

Michons Marigot- Emphasizes her passion for fabrication and her unique approach to women’s wear.

Shannon Nielson- Ethereal is her label that focuses on exquisite women’s lingerie.

Leah Alocilja- Her women’s multi-layered pieces fuse chiffon with leather in a very wearable and uncomplicated manner.

Ryan Joelson- His Fay label transforms women’s eveningwear into fantasy creations.

Michelle Im- Experiments beautifully with hand painted silk day dresses for her Mim label.

Angelica Colucci- Creates her own take on the global influence with her men’s wear collection.

Mani Jassal- Reinterprets classic East Indian women’s wear into a modern and refined mode of dressing.

Jennifer Scholten- Celebrates her passion for knitwear with a unique and well-crafted twist.

Nicole Galbraith- Launched her Nicole Anne label of west coast inspired women’s wear.

Jessica M. Lau- Her JML label celebrates the sensuality and allure of lingerie.

Andrea Lung- Creates a men’s and women’s athletic line that combines function and colour into very unique but wearable pieces.

Vivian Lin-Transforms mid-century silhouettes and transforms them into her own vision of modern day dressing.

Vincent Huynh-Takes a post-apocalyptic yet inspirational approach to men’s wear designs that has a unique edge and appeal.

Meagan Johnston- Interprets her passion for African nuances in her asymmetrical and flowing women’s wear pieces. 

This showcase will be a wonderful memory for all those who contributed and to those that also had the privilege of witnessing it. One can only look forward to more from each one of those that participated. How wonderful it was to see them all strut out at the end of the presentation to a standing ovation that rang through the venue. “The End is only the Beginning” was the catchphrase used to signify this talented collective was indeed ready to embark on their promising careers in the world of Fashion. 

Congratulations and best wishes to all of those that participated in Mass Exodus 25! The Fashion Industry, like many other professional endeavors, is riddled with many hills and valleys along the road to success. Kudos to Ryerson University for equipping their students with the cutting edge disciplines that will serve as a reliable resource for each one of them to build upon as they continue to transform their creative thoughts into reality.

May01

Six months of POZ-TO

Wednesday, 01 May 2013 Written by // DJ Relentless Categories // Community Events, DJ Relentless, Arts and Entertainment, Events, Music, Living with HIV, Dj Relentless

DJ Relentless announces the next dance party in Toronto for poz folks and their allies. It’s May 5. AND there’s a free megamix download here to boot.

Six months of POZ-TO

On May 5th, we will be celebrating six months of the POZ-TO Monthly Dance Parties. We are proud to say that each month has been getting better and better.

It is so great to see everyone enjoying themselves and socializing. This is exactly what I was going for - a safe space where the HIV+ community can come and just let their hair down. No worries about having to disclose, because the conversation has already been started. And although we open the doors for the POZ Community, we also welcome anyone and everyone who wants to support the organizations we choose to raise money for. 

For the past six months we have raised money for ACT & PWA, but starting in June we have decided that the main organization we are going to be helping is PWA. Mainly because I believe that their services are really hands on and food is important. And with their new garden programs, they are going to need all the help they can get. And POZ-TO is proud to throw our support behind them.

But we will still occasionally invite in other AIDS organizations to help them as well. We are all in this fight together. It is going to take all of us to help in educating and preventing the spread of the virus.

We will also be celebrating a my good friend, Richard Kikot's Birthday. So, I'm sure it's gonna be a fun night. Hope to see you there on Sunday (May 5th).

And to show my appreciation for all of those who have come out to support the event, here is a special megamix I have put together. It's just a taste of all the great music I spin for our party. Give it a listen….you never know what you might hear.

Apr18

30 years of ACT: A conversation with Hazelle Palmer

Thursday, 18 April 2013 Written by // John McCullagh - Publisher Categories // Activism, Events, Features and Interviews, Living with HIV, John McCullagh

As the AIDS Committee of Toronto, Canada’s largest AIDS service organization, turns 30-years-old, the agency’s executive director talks with PositiveLite.com about its past, present and future.

30 years of ACT: A conversation with Hazelle Palmer

The AIDS Committee of Toronto (ACT) was founded thirty years ago, in 1983. In this video interview, the agency’s executive director Hazelle Palmer reflects back on the organization’s beginnings, how it has changed over the years as HIV and AIDS have changed and how ACT will continue to make a difference in people’s lives in 2013 and beyond.

Apr09

In the beginning

Tuesday, 09 April 2013 Written by // Bob Leahy - Editor Categories // CATIE, Features and Interviews, Health, Bob Leahy

Bob Leahy talks to one of CATIE’s founders, Sean Hosein, now its Science and Medicine Editor, about the early days of the organization.

In the beginning

Almost everyone in Canada – and I dare say in many other counties too - who has an interest in HIV and Hepatitis C treatment and more will be familiar with the work of CATIE.  But for those who aren’t, here, from their website, is a description of what they are famous for: 

“CATIE is Canada’s source for up-to-date, unbiased information about HIV and hepatitis C, connecting people living with HIV or hepatitis C, at-risk communities, healthcare providers and community organizations with the knowledge, resources and expertise to reduce transmission and improve quality of life.’

CATIE has been around for more than twenty years, growing  larger and evolving over the years as the nature of the epidemic  has changed also. From very small beginnings it has grown to a respected and far-reaching organization with almost forty people on the staff.  But who knows how and why it started, or what it was like in those early days?

To get the answers, PositiveLite.com editor Bob Leahy talked to someone who was there - Sean Hosein, one of CATIE’s founders, now serving as its Science and Medicine Editor.

*****************************

Bob Leahy. Hi Sean.  Tell me how you first became involved with learning about HIV

Sean:  I came of age in the early 80’s and I was fascinated by what was then being called the “gay plague” by the media.  They were making ridiculous statements in the media, utterly ridiculous stuff.  The reports were sensationalist, very scary and they didn’t make sense in some ways, making outrageous claims based on a limited set of data. 

I was going to school at the time, first in high school and later to university, and I would go to the university library and it was easy in the first seven years of the epidemic to learn about the disease in that all the medical reports that came in the medical journals were very, very descriptive.  And in the early years too, before scientists were certain, there were all these crazy ideas about how people became infected, and it made for fascinating reading.

At the same time – the mid to late 80s – we had a lesbian and gay rights movement that had developed, particularly here in Toronto, and some of the men and women who were involved with that also began to see a need for an AIDS organization, because people were dying and not much was being done.  (I won’t go in to details why that was – that’s been covered well by the movie “And the Band Played On”, the play “Angels in America” and the recent documentaries about AIDS activism in New York and San Francisco.)  So I got together with some like-minded people, and my part was to supply information - these were incredible people fighting for their lives and I would help them; I was a patient advocate for a while and then I saw a need to help educate both doctors and patients about this rapidly moving field.  So we produced a bulletin that we would give out to doctors and patients in Toronto.

When was that and how did that happen exactly?

Well, in 1985 or so I was writing in a newspaper called Rites – a lesbian and gay newsprint magazine that doesn’t exist anymore -  about discoveries and possible avenues in HIV-related research at the time. And the people who formed AIDS Action Now! (AAN!) around that time were my friends. I didn’t go to the initial founding meeting of AAN! but I did join a few months after - that was in 1988 - and I joined the Steering Committee where I sat for several years. In 1989 I started to produce something for AAN! which we initially called “AIDS Update” but we later called it “TreatmentUpdate” and it was Canada’s first bilingual publication about treatments for HIV.

The cover of the first issue of "AIDS Update", editor Sean Hosein.

We sent it to doctors here and in Quebec, to people around the country. I just reported what was going on in the medical journals in different fields related to research about how HIV caused problems for the immune system and the discovery and testing of treatments for HIV. And it became clear that a lot was happening, there was a tremendous amount of research, but there weren’t enough clinical trials of drugs. So we advocated for getting drugs that looked promising in early clinical trials in other countries, in to Canada and available on a compassionate basis for people with HIV who were very ill. We advocated for setting up a clinical trials network that would test these promising drugs and also for a knowledge broker organization that would help distribute the knowledge about these emerging treatments to people.

Things were done in a very haphazard manner, though, back then because we rushed from one emergency to another, all done with volunteer labour.  We naively felt that there would be a cure after a few years. You didn’t know who was going to get infected and die. The late George Smith, a brilliant intellectual, gay rights activist and co-founder of AAN! and CATIE said that it was like living in London during the Second World War, during the Blitz, so you were on adrenalin all the time. It was at once exciting but there was a lot of danger in the sense that your friends could die at any time from some mysterious cause. We have lost so many brilliant and kind people to this damned virus.

So those were the AIDS Action Now! days. I’m guessing that we’re at the point in the story where CATIE – or what was to become CATIE - was about to be formed?

Correct. The people who had the core idea for CATIE back then were Alan Cornwall – he was a lawyer, George Smith a researcher at the University of Toronto, the women’s health activist Linda Gardner and myself. They mentored me a lot. I was also helped by many doctors both in the community and at hospitals.

What did you do about money?

In 1990 with funding from the Trillium Foundation (an Ontario-based charity) we got a grant to establish the organization we now call CATIE.  It only had one staff member at the time, the project director who is now a professor at York University; his name is Eric Mykhalovskiy. I was working with CATIE right at the beginning as a volunteer.

Those days were really chaotic. We worked then mostly in the city of Toronto but then as the epidemic grew and grew we realized there was a need to expand our services to other provinces. I wrote a grant proposal that the federal government kindly funded to expand TreatmentUpdate’s distribution and reach across the country and to pay for translation.

The Federal government funded us for several years and as they and everybody were seeing we were having an impact, helping people with the information they needed and so on, our funding increased over the years.

I was initially on the board of CATIE but I had to step down after a few years before I could become a staff member.

Where did CATIE’s interest in prevention come from?

Although we were initially a treatment organization, CATIE always had an interest in prevention in that it encouraged safer sex but that was not our primary focus back in 1990. At that time, funders were primarily interested in prevention work and we had to argue that providing treatment information was a form of prevention. However, as the epidemic changed and we saw the Lazarus effect with people coming back to health, we took on more health-related issues for people living with HIV.

CATIE had always been looking at health issues from a holistic perspective, not just treatment-related things, so it was not a stretch to explore information about other sexually transmitted infections that facilitate the transmission of HIV. These infections include germs like herpes, gonorrhea, syphilis and so on. However, our focus was on improving the health of people living with HIV. We also did a lot of capacity building work with AIDS Service organizations which helped us to understand how prevention and treatment really work together. In the mid-2000s people began to raise questions about the ability of HAART to reduce infectiousness. At first these were very dry discussions. We officially expanded our mandate to include all aspects of HIV prevention and treatment in 2008. It was very good timing for us because the biomedical science of HIV transmission, prevention and testing was about to explode and we already had a solid foundation in knowledge exchange through our work in treatment.  

We had always done limited work on Hepatitis C and this was officially added to our mandate a few years ago as well.

Through all this – at least in those early years, Sean – you had a very personal connection to HIV, didn’t you?

I was lucky in that I came of age when safer sex had been invented and so I was able to protect myself but my partner was older than me. So we always suspected he was infected, but we took precautions and then when the test became available we did get tested.  He was positive. And you know it’s one thing to guess that you’re infected and another to see it in black and white. It was very devastating for him initially. You must remember that back in the dark ages of the 1980s there was no effective treatment and studies from that era found that people would die a few years after the diagnosis. Despite that grim forecast, we did all the things we could to keep his immune system going well and we did a very good job of that until the last six months of his life. He passed away in November, 1994. It’s devastating to lose your spouse. We were together for ten years. I am deeply grateful to the many doctors, scientists and friends who helped me with George’s care.

Did that impact the passion you have your work?

I think his death just encouraged me to work harder. There are still many people living with HIV, there are long-term health issues that they will face. Also, as you noted earlier, our mandate has grown so for me there is no shortage of things to do!

Our work today, which has expanded into the spread of HIV, hepatitis C and sexually transmitted infections; these are all important.  I get letters and emails all the time from people, people living with HIV, hepatitis C or STIs, who talk about some article I wrote and how much a difference it made in their health and it’s really moving and wonderful to know that not only am I making a difference in somebody’s life, but so are all the other people who work at CATIE – who do work in translation, editing, producing and maintaining our website, distributing our publications and so on — to make that information accessible. Our executive director Laurie Edmiston and my boss Timothy Rogers encourage constant learning and have helped to maintain a nurturing and stable environment so that myself and others can thrive at CATIE. We also have many doctors, nurses, pharmacists and scientists across Canada and around the world who provide their expertise in reviewing our work and for that we’re very grateful.

What does it feel like to be one of the founders?  Does it give you pride?

Having helped found this organization that once occupied a tiny office at 517 College Street (Toronto) that could barely hold a desk and a filing cabinet, a computer and a printer, go through many changes and growth and now reaching its full potential is really wonderful to see.

Now I’m so proud to see how far the organization has come.

Photo of Sean Hosein courtesy Matthew Watson. 

MarketPlace