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Articles tagged with: DJ Relentless

Jul17

Relentlessly Speaking About Justin Bieber....

Tuesday, 17 July 2012 Written by // DJ Relentless Categories // DJ Relentless, Arts and Entertainment, Music, Dj Relentless

Another blog by DJ Relentless. The name says it all . .

Relentlessly Speaking About Justin Bieber....

Aw....our little Bieber is trying to grow up and shake off his teeny-bopper image by dressing in the latest Hip Hop gear and hanging out with rappers and prize fighters. But unfortunately he’s still a child. A child who still reacts like a teenager and unfortunately got a morning radio personality suspended. As proven in his radio interview with Mojo in the morning when asked about his friendship with Harry Styles of One Direction (who has a thing for older women). Mojo asked if Bieber worried about him around his mother.

"I mean, definitely somewhat [I am friends with One Direction now]. They were in town a while ago and they came over and stuff, but, yeah, they're good kids," he said when asked about his friendship with the Brit boy banders, before adding, "I don't think you should worry about me [and my mom with Harry Styles] — worry about your mom, bro.” Mojo then noted that his mother had passed away, before Bieber hung up on the call. The interview has since been taken off the show's official site, but found its way onto YouTube.

It wasn't the only contentious part of the interview. Prior to that, Bieber seemed to be annoyed that Mojo had compared his single, "Boyfriend," to the musical stylings of Justin Timberlake. "Man, that's crazy 'cause our voices sound nothing alike. I mean, I'm not trying to sound like anyone. Saying I sound like someone else is not really a compliment. ... I think if you were to say I heard some Justin Timberlake-esque things in your sound I would take that as a compliment," he said.

See the first video below.

Honestly, I don’t get it when “the new kid” wants to buck off the fact that someone before them actually paved the wave for them to be where they are. This is no different than Eminem dissing Vanilla Ice or Nicki Minaj holding a grudge against Lil’ Kim. None of you would be here without their work before you. And the funny thing is….yes, Beiber is at the top right now, but you have to realize that all will change when the next doe eyed teenaged boy is pushed into the spotlight. If I were Bieber I would be honored to be compared to Timberlake. He’s done quite well for himself and is respected throughout the industry. 

Meanwhile, Bieber has made a couple of major mistakes. in my opinion. Back when he was 16 he gave an interview where he gave his views on homosexuality, abortion and rape. He actually said that “rape happens for a reason” and that abortion is wrong even if the female was raped. Then even weighed in on being gay by calling it a “life choice”. He believes that people choose to be gay. Whoever let him talk to the press about such hefty issues really screwed up. Now these comments are going to follow him throughout his career. Just like Britney Spear’s stupid quote in Michael Moore’s “Fahrenheit 911” where he showed an upset Iraq woman expressing her hate for America for bombing her uncle’s home and Ms. Spears shared her views on trusting George W. Bush.

See the second video below,

But I definitely think that all those screaming teenaged girls are going to have a day when they will be shocked by some news of Bieber in some sex scandal or a drunk driving accident. You know it is coming. He’s going to want to prove that he isn’t a kid anymore and with all that money is going to be burning his pockets. 

You know, until Bieber turned 18 I refused to play his music. I just couldn’t bring myself to play such bumble gum on my floor. I mean...not that his new album is a pillar of maturity, but at least it has more of a Pop R&B sound mixed with Club friendly production. But I did notice he has several collaborations with Drake, Nicki Minaj and the Far East Movement that have come through my digital pool. I think he should consider doing a track with Timberlake. It would most definitely be a hit. Timberlake is due for a new album soon.

May01

The Lost Art Of The DJ

Tuesday, 01 May 2012 Written by // DJ Relentless Categories // DJ Relentless, Arts and Entertainment, Gay Men, Music, Population Specific , Dj Relentless

DJ Relentless on being a DJ: "The relationship between a DJ and his dancefloor is like a conversation."

The Lost Art Of The DJ

Almost every week I end up bitching about what a DJ has to go through while working.

There are all kinds of disc jockeys in the world. You have the Mobile DJ that handles weddings and bar mitzvahs. And then there’s the Radio DJ who is probably controlled by a set playlist. And then there is the type of DJ I consider myself to be....a Club DJ.

All DJ jobs are very difficult. You are attempting to please a room full of people with what you play. You have to make decisions on where to go with the music. Do you take the request for the song that is 15 to 20 BPM’s slower than where you are or do you continue with what has people on your floor already? What if you are asked to play a genre of music that you don’t know or understand? Or perhaps it’s a genre that you admittedly are opposed to? What are you supposed to do?

Well, the first thing I would like to say is....”The relationship between a DJ and his dancefloor is like a conversation.” You need both sides to have that conversation. You have to listen in order to have the conversation. Unfortunately, I believe that today’s audience is filled with what I call “The ME Generation”. They feel a major sense of entitlement. Each person is only concerned with what they want and no one else. Often the DJ is trying to have the conversation with the floor and these members of The ME Generation come up and try to control the conversation with their request. They think that if they request their song that they will make the DJ change the format and steer the conversation in their direction. 

Now...I know some DJ’s who allow this to happen all the time. There are some who actually only play requests. I guess it keeps them from having to think about their playlist. Or maybe they do it to win some imaginary popularity contest. Anyway...these are the DJ’s I call iPods. Whatever they are told to play, they do. 

My most common interaction with someone of The ME Generation is usually of two different camps here in Toronto. It’s the Popheads and the Caribean Connection. With the Popheads, they want everything played that they have listened to on the radio and their iPods all day. With the Caribean Connection, they think because I am a person of color that not only should I play Reggae and Soca, but that it is a given that those genres are a part of my playlist. 

When I first moved to Toronto, I wrote a blog about why I don’t like to play Reggae. I explained that I had a friend who was Jamaican and was murdered because he was a homosexual. Out of protest of his death and the police not even attempting to find his killer, I decided to remove Reggae from my playlist. I also found that the majority of the most popular Reggae artists recorded what is known as “Murder Music” which has lyrics about killing gay people. In order to remove Reggae from my playlist, I also had to remove Soca. Mainly because if you play Soca then your audience automatically assumes that you are gong to play Reggae.

Now...as a gay man, I just think that the politics behind “Muder Music” won’t allow me to support that genre. With that being said.....have I played Reggae and Soca on my floor since being in Toronto? Well, yes I have. I had to in order to keep my job. Do I own a lot of Reggae and Soca? Absolutely not.  I own some really commercial tracks that have crossed over or are remixed with that flavor. But to honestly say that I am a Reggae and Soca DJ I cannot. That would be like asking me to play Salsa and Merenge. I don’t even speak the language. Even though my heritage is of Puerto Rican, African-American and Caucasion I am an American through and through. My background in music actually ranges from R&B, Jazz, 70’s and 80’s Rock, Pop, Dance, House, Bitch Tracks and 80’s Alternative.

When I came out in Tampa, the nightlife scene was so small that you had a huge mix of gay people on one dancefloor. It was nothing to have leather men, twinks and drag queens dancing with each other. In fact, I believe it made for a better community because we all had to share the same dancefloor and watering hole. But nowadays, everything is segregated. And the history of the music and the sense of community is lost. And why shouldn’t it be? With music at your fingertips on your computer or phone, everything is disposable. We are bombarded with too much information. And that would probably explain why the art of mixing and programing your sets as a DJ is no longer required. 

There was a time when the DJ made a song a hit. Now, the DJ is just the tool for playing the song. No personality is needed. No real talent is needed. I started Dj-ing in the summer of 1980 with my uncle, Herbert King at WMNF 88.5. It was a Jazz and R&B show. My uncle didn’t mix, but he taught me the importance of programing. “What are you saying with your music?” “Do you believe in the song that you are playing?” “What does this song mean to you?” “Why are you playing this song?”  These were questions that he would ask to get me to think about what it really means to connect with your music. It wasn't until I took a trip to Chicago and heard mixing on the radio there that I decided to learn how to manipulate beats per minute to transition from song to song. I saved up for a pair of turntables from Radio Shack and a mixer (which I still have to this day....they don't make 'em like that anymore) and practiced in my bedroom everyday after school. 

So, when I am asked to play a genre of music that does not respresent me or has nothing to do with my musical background it is like asking me to have a conversation about a subject that I don’t know. I will only look stupid if I attempt it. So, I choose not to have that conversation. If I know a liitle about that subject, I will say what I know (as in I will play what I have), but I won’t go any further than that. But when customers start demanding a genre, it makes me not want to play it at all. Let me surprise you with what I do know. You might actually learn something about mixing and programing if you listen. 

Some of the best conversations I have had with my floor have been when I watched the room and figured out what it is needed to keep it going. A request is a great way to let the DJ know what you are feeling, but when it turns into 5 and 6 requests it seems like you do not respect your DJ or trust his judgement. It becomes a one-sided conversation and that never works. 

And I bet that the audience doesn’t realize that their presence on the floor is a vote on where the music is going to go. I believe that everyone should get served on my floor. That’s why I change the conversation every 20 minutes. I want it to remain interesting, especially if the format for the room is an open one. Remember, the DJ is not only playing for you. He has a entire room to worry about. And patience is a virtue. Leaving the floor because your song wasn’t next just says that you were not really serious about your request. And unless the theme of the event is a strict format of one genre, I am sure the DJ will get to your request as soon as he can. Provided that your request isn’t what we like to call a “Floor Killer”. Tracks like “The Macarena” or Kiddy Pop artists can kill your floor in an adult setting. When you have the trust of your audience, you are more likely to get away with anything you feel like playing. But until then, you really have to consider what that request is going to do to your floor. 

I guess the thing that strikes me funny and odd is that in New York City's top clubs where you spend almost $25 to $50 just to get in, you are not allowed to even get to the DJ. It is a given that you came to hear the musical journey that he has planned for you. And the measure of a good DJ is how his floor is doing. If he has a packed floor, then obviously he knows what he is doing. So, to come to Toronto and find that bar owners and promoters bend to customer requests seems ridiculous at times. How is the DJ supposed to show you their skills if they are bombarded with requests all evening? A good DJ can read his floor and make the decision to go in another direction with the music if needed. Which goes back to my change of conversation every 20 minutes. The rooms I have played for here in Toronto have been very open in formats. It would be different if it was a theme to the room that I was playing for. then I could concentrate on a specific genre and style. 

So, a balance had to be made. I came up with a system of a request sheet. It allows the audience to communicate with the DJ without disturbing him while he is trying to mix or find his next track. Unfortunately, most of the people have been drinking and do not grasp the concept of writing it down and leaving it at that. They want to write it down and then ask you for the song verbally while trying to hand you the request sheet to make sure you see what they wrote. Or they think by writing their request really big that it will make you play their song quicker. It can be very frustrating when people are not polite enough to leave room and spaces for others to make their requests. The ME Generation just doesn't care. 

So, I hope by writing this blog I have given you a different perspective about what requests are and what they mean in the big scheme of the night. Don’t forget that the DJ has a job to do that is more than just pressing “play”.

Apr16

PositiveLite.com interviews Alphonso King.

Monday, 16 April 2012 Written by // Bob Leahy - Editor Categories // DJ Relentless, Arts and Entertainment, Features and Interviews, Music, Bob Leahy, Dj Relentless

Alphonso King is DJ Relentless. He’s also drag performer and recording artist Jade Elektra. And he’s out about his HIV-positive status. Bob Leahy interviews this fascinating multi-facetted man.

PositiveLite.com interviews Alphonso King.

Bob Leahy: Hi Alphonso. Thank you for talking to PositiveLite.com.  You’re no stranger of course, because you have your own column on our site  but I’m really liking the chance to ask you a few questions and get to know you better.  You really are an interesting person, with more than one story to tell. Right now for instance you have your music career as DJ Relentless and as a recording artist, your drag career as Jade Elektra and then, of course you happen to be HIV-positive and entirely out about that. I guess that prompts me to ask you - Why out?  Wouldn’t it be easier to keep quiet?

Alphonso: Actually I have been officially out about my HIV status since 2009. I mean...I have always been out to my closest friends and family, but in 2009 I didn't want to be a hypocrite after hearing about Ongina coming out about her status. I just felt that everyone should be honest about being positive.

Bob: But you don’t make a big thing out of it.  For example, in your column for PositiveLite.com it’s only mentioned in passing. Is that a conscious thing or is HIV not really a big part of your life anymore?

Alphonso: HIV is a big part of my life, but I don't let it rule my life. I have been positive for 23 years.

Bob: OK. Let’s get back to that HIV aspect in a minute.  Tell me about your background. You weren’t born in Canada were you?

Alphonso: No, I was born and raised in Tampa, Florida.

Bob: So how did you end up in Toronto?

Alphonso: Well, my husband is from Toronto. We got married on April 30th, 2010. Our 2nd anniversary is almost here. At the time when we got married gay marriage had not been passed in New York. And I had been in New York City for 17 years at that time and I wanted to be with my husband. He wasn't going to move to the States. So, here I am....in love and happy.

Bob: Good! Let’s talk about drag. Tell me why you wanted to do drag in the first place. And was it hard to break in to the business?

Alphonso: Believe it or not, I never really wanted to do drag. I was entering a weekly talent show at a bar called Rene's doing impersonations of Michael Jackson & Prince. Huh....come to think of it, I was just a hop and step away from drag with those two. Anyway...I got tired of being beat by drag queens in the competition and decided that I couldn't do any worse than I was already doing. I wrote about it in my last blog. As far as it being difficult or hard to break into the business...no, it was a different time. This was 1985. Long before the internet and YouTube. In a way it forced you to work hard at being original and forced you to look to your elders for guidance.

Bob: Is there much infighting or do you gyrls all get along?

Alphonso: Child, I am too old be fighting with these young gyrls out on the scene now. The great thing about getting older is realizing what's important and what's not. The things that these kids are doing today are all old hash. They don't know or care about what the future holds. So, how do you fight someone who is blind?

Bob: Alphonso, you aren’t  too keen on what RuPaul and his Drag Race  have done for the business, are you?

Alphonso: In my opinion, RuPaul's Drag Race has lowered the art of female impersonation to the lowest common denominator. The show does not give an accurate look into what it takes to be a drag performer. All it shows is rewards for bad behavior and bad attitudes. And if folks knew all the stuff that goes on in the background with the producers of the show, they'd turn it off. And RuPaul should be ashamed of exploiting these gyrls to keep herself in the spotlight.

Bob. I see. Now you’re a big proponent of singing rather than lip syncing, aren’t you? Is this something every gyrl should strive for?

Alphonso: Not everyone can sing. And there's nothing wrong with laying a lip to song...especially if you do it well. I mean, lip syncing some Pop song that repeats itself over and over ain't talent. Do something with a monologue. That's talent. I lip sync too, but when I do it's a great song with character.

Bob: Alphonso, you said in one of your recent articles for us that “I always enjoyed at the end of the show taking all that stuff off and being Alphonso King Jr.”  Are you more comfortable being Alphonso than Jade Elektra?

Alphonso: You know, I know a lot of queens who do drag because they are not happy with themselves as a man. Maybe they get more attention as a gyrl. Maybe they feel sexier or more attractive as a female. I have always loved being myself. I like doing drag and performing, but I love wearing a pair of jeans and a T-shirt with a Yankees baseball hat.

Bob: You said too “The drag world still fascinates me. What motivates a man to put on a dress and act like a woman?” So I’m going to ask you just that. What DOES motivate a man to put on a dress and act like a woman?

Alphonso: Some folks get uncomfortable when I talk about this, but I'm gonna say anyway. I was molested as a child by an uncle and even though it was a terrible thing to go through a part of me enjoyed acting like a gyrl for me. He recognized that I was gay when I was 7. He exploited it, but I think part of me healing was accepting the fact that I have a feminine side and that's okay. I use that side of me to create this woman for the stage.

Bob: But is it a blown-up version of a woman?

Alphonso: I am not like other drag queens. My mannerisms and even physical body transform. In my mind, I am not larger than life. I am a small, demure lady. I become the woman that I would like to see on the street.

Bob: You’ve also made a career as a DJ.  Do the drag and the DJ-ing ever overlap or are these always two distinct gigs?

Alphonso: I rarely DJ in drag. Mainly because most establishments won't pay me to do both. I'm not opposed to it, but I have built a reputation as DJ Relentless and I don't feel that I need to DJ in drag. To me that's just a gimmick to get a gig. I want to DJ gig for my talent, not for what I look like. Which also goes for the new breed of gym-queen DJ's. I'm not DJ-ing with my shirt off either.

Bob: You probably hate this kind of question, but what gives you the biggest high – doing drag or DJ-ing?

Alphonso: They are very different. The rush of being on stage and having everyone's attention is very different than controlling a roomful of people with what music you play. Both are exciting and rewarding.

Bob: Can you make a career of being a DJ in Canada or do you have to move somewhere else to really make it happen?

Alphonso: I am already making a career as DJ in Canada. I had already spun in Canada a few times before moving here. In fact, I have travelled to London, Athens and Amsterdam. So, I am sure I could have a DJ career anywhere. Even though technology can practically make anyone into a DJ, nothing can replace experience and music knowledge. You can download any song you want, but if you don't know the history of the song you might as well be an iPod.

Bob: Now of course you have a musical career in your own right.  Do you want to talk about that and where you would like to see it go?

Alphonso: Well, if you check iTunes you can find Jade Elektra and DJ Relentless. I have been a vocalist and also a producer. Jade was originally known as a Bitch Track artist with tracks like "Bitch You Look Fierce" and "How Do I Look?", but when the Proud Mary album was released she showed her vocal chops. And as DJ Relentless I have done back-up vocals and produced house tracks like "House Is Alive" with the UK's Loop Da Funk.

Bob: Your musical idols are?

Alphonso: Billie Holiday, George Benson, Dinah Washington, Al Green, Tina Turner and Al Jarreau.

Bob: OK, now I want to go back to the HIV thing.  I don’t think you’ve ever talked to us about how and when you were diagnosed.   Do you want to fill us in?

Alphonso: I was diagnosed in 1990, but became positive in 1989. A condom broke and that was that. I knew the guy. We were dating and he had no idea he was positive. I remember telling him and him completely falling apart. After about 6 months after being told the news, I accepted it. There was nothing I could do to change it. And I guess it was my destiny. You see, if I had not found out I might have stayed in Tampa and lived a completely different life. My diagnosis prompted me to get up and do the things I always wanted to do. Which is how I ended up in New York City in 1992. My movie, television and music career as Jade would have never happened. My DJ name of "Relentless" would not have been given to me by a customer at The Works on the upper east side.

Bob: Did you deal with it well when you got the news you were positive, or not?

Alphonso: Believe it or not, I assumed I was going to die. So, I planned to take out a huge loan and do all the things I had dreamed of. But after a few months, I woke up and thought "You'll probably borrow all this money and end up healthy and in debt." So, I decided to work towards my goals instead.

Bob: So has being HIV-positive complicated your career at all, either in the drag world or the music world?

Alphonso: Not really. Being positive has had nothing to do with my work. I have been pretty healthy except for my diabetes. That's probably been more of a problem than my HIV. My status has probably caused more problems in my dating life. Deciding when to disclose was a problem at first and then I just started telling on the first date to avoid wasting theirs and my time.

Bob: Are there many poz drag performers who are out?   I’m guessing quite a few of them are not talking, right?

Alphonso: I am sure there are more than most people think, but not everyone is out about their status. I know a few, but unfortunately not everyone handles the news well. So, many choose not to tell their families and with the fear of being rejected they choose not to tell boyfriends or casual partners.

Bob: How have advances in HIV treatment affected you personally.  I’m going to guess that you are on treatment with an undetectable viral load.  Am I right?

Alphonso: When I was first diagnosed, AZT was the only treatment. I watched a lot of my friends die on that stuff. So, I refused to take it. It wasn't until 2005 that I started treatment and have been undetectable ever since.

Bob: What would your message be for someone who is newly diagnosed – and worried about just about everything?

Alphonso: It's funny that you should ask. A drag friend of mine just got diagnosed and I told her something very important. Don't do anything that you don't want to do. If you don't feel like you need to be on the meds or that you are not ready yet don't start. Find out as much as you can about what you are about to take. Don't take your doctor's word for everything. And learn to be honest with yourself. Learn to forgive yourself. And most of all...stay stress free.

Bob: Excellent advice. One more question.  Sorry if it sounds a bit Miss America-ish.  Everybody has a dream.  What’s yours?

Alphonso: I dream of leaving my mark. I hope that my life and experiences can be used to teach someone in the future to live their lives to the fullest.

Bob: Alphonso, you’ve been a great sport. I hope we didn’t intrude too much.  Thank you so much for talking to us like this and we look forward to hearing more of your story as it unfolds on our site.

Alphonso King Jr writes as DJ Relentless on his PosiitiveLite.com blog. Find him to on his own website www.djrelentless.com

Post script from Alphonso . . .

I thought I should share some of my material and performances with you. I recorded a live album at Statler's last summer. I'm still working on it being remastered and working out the distribution part. There are a couple of clips from that show.

http://www.youtube.com/watch?v=OSEZZQ4XSFs

http://www.youtube.com/watch?v=DBSw0vn9ffM

http://www.youtube.com/watch?v=l7pzOI-KsLA

http://www.youtube.com/watch?v=R1tnmxwtOvU

http://www.youtube.com/watch?v=PQpWc6QLRwQ

http://www.youtube.com/watch?v=UYRepLl6n9A

http://www.youtube.com/watch?v=Wf0OsmHJoSg

http://www.youtube.com/watch?v=JvJABcOc8zk

THIS IS A CLIP FROM MY GAME SHOW featuring my other character, PAPRIKA JONES http://www.youtube.com/watch?v=tQLZ_O_pZks

THIS IS THE PILOT FOR MY TV SHOW Called "SHOWGIRL 101" (filmed before Drag Race even started) http://www.youtube.com/watch?v=AiVFMtpxDKM&feature=related

THIS IS A CLIP FROM THE WEEKLY VARIETY SHOW I USED TO DO at CREWS & TANGOS http://www.youtube.com/watch?v=aeGrT7h3PdQ

You should google me. I've done movies, television and traveled the world. I had a weekly variety show at Crews & Tangos (Toronto) but  I had a crappy time slot (7 PM to 9 PM on Saturdays). It was very difficult to get people to come out that early so they cancelled it. I keep hoping to find another spot to do the show. It was a lot of fun. I featured all types of entertainment. I had live singers, comedians and of course female impersonators.

Plus, I wrote and recorded a song for AIDS awareness called "H-I-Vogue".

So, there's a lot more to my story (as you can see). I have opened for Cyndi Lauper. I performed with Beyonce at the Roxy in NYC. I am currently one of the resident DJ's at Crews & Tangos (Mondays, Wednesdays & Fridays). "DIrty Mondays" "Night Skool Wednesdays" and "CLUB LITE Fridays".

(Editor's note: Here's an interview with FAB.)

Sep12

Back to school Top Ten Relentless by DJ Relentless

Monday, 12 September 2011 Written by // DJ Relentless Categories // DJ Relentless, Arts and Entertainment, Music, Dj Relentless

Okay...summer is over. The kids are back in school. And this is the time of year when a lot of recording artists test the waters to see where they are in the music stratosphere.

Rating System: 

No * means horrible
* means you'd better get used to it
** means there is something to like about it
*** means I like it alot
**** means I love it

Okay...summer is over. The kids are back in school. And this is the time of year when a lot of recording artists test the waters to see where they are in the music stratosphere.

And speaking of music.....here’s a few tracks that I recently listened to.

“You and I” (The Remixes) Lady GaGa (Interscope Records) So, I barely watch anything on MTV anymore since it is not music television. It’s more like teen reality show television.

So, when I started reading all these critiques of her drag king debut on the MTV Video Music Awards, I was curious what all the fuss was about. A friend had recorded the show, so I got to see it. Her new character, Joey looked like a cross between John Travolta in “Grease” and Brian Setzer of The Stray Cats.

I think what I was impressed with was her commitment to the character. I had seen the music video for “You and I” and I thought...”okay, that;s one way to reinvent herself”. The first time I heard this song was on American idol when Casey sang it in the competition. And then Mother Monster did it as a farewell on Oprah’s final season. But that was months ago. And now it seems that the track is a new anthem. So far I have received four different remixes. The 10 Kings Dance Remix and the Mike Taylor Remix are both functional mixes, but the Jay Sanity Electro Remix is hot. And my favorite is the Brian Cua Remix. **

“Rain Over Me” (The Remixes) Pitbull featuring Marc Anthony (Polo Grounds Records) And let's move on to Mr. Worldwide. Pitbull (who I affectionately refer to as the whore of the industry) has teamed up with the newly divorced Marc Anthony for his follow up to “Give Me Everything”. Benny Benassi, Quintino, Tom Piper and Riddler did great jobs at remixing this track, but Miguel Vargas really sealed the deal with his House Mix. It’s catchy and it has a good energy about it. Girls seem to really connect with Pitbull’s voice. And Mr. Anthony hasn’t had a dance hit in a long time. “I Need To Know” was back at the beginning of the century. I definitely think it will do better than Jennifer Lopez's “Papi”. Sorry, Jennifer. ***

“Last Friday Night” (The Remixes) Katy Perry (Capitol Records) You would not believe how many remixes there are for this song. Months before it was released as single I had received about four bootleg remixes, so i knew it would be a release. And with it’s release, Katy became the first female artist to beat Michael Jackson’s “Thriller” album for number of singles from an album. Congratulations, Miss Perry!

And might I say you were looking very vintage Lady Miss Keir from Deee-Lite at the MTV Video Music Awards with your pink hair. And even though I thought your husband was kinda dirty looking when he first came on the scene, he’s looking kinda right these days. His role in “Forgetting Sarah Marshall” helped change my mind quickly. But I digress. My favorite mixes of “Last Friday Night” are the remix featuring Missy Elliott and the Carlos Cid & Greg Bahary’s Hott 22 Club Vocal really rocked my world. If only we could find a way to combine Missy’s rap on the Club remix and I would be in heaven! ****


THE RELENT-LIST 9-10-11

Here iaremy Top Ten Songs for this week’s BPM (boys-party-music) at WAYLA Bar

1) In The Dark (DJ Vice Bootleg Mix)-Dev featuring Kanye West

2) Someone Like You (DJ Danny’s Deep Soul Bootleg Mix)-Adele

3) Someone To Love Me (DJ San Fran Remix)-Mary J. Blige Iglesias featuring Lil’ Wayne & Diddy

4) Super Bass (Liam Keegan Remix)-Nicki Minaj

5) Moves Like Jagger (Cutmore Club Mix)-Maroon 5 featuring Christina Aguilera

6) You and I (Brian Cua Remix)-Lady GaGa

7) Give Me Everything (Mikael Wills & Justin Sane Remix)-Pitbull featuring NeYo & Nayer

8) Otis (Pete Down Hype Edit)-Jay Z. & Kanye West

9) Best Thing I Never Had (Lil’ Jon & DJ Kontrol Club Mix)-Beyonce featuring Shawty Putt

10) Last Friday Night (Remix)-Katy Perry featuring Missy Elliott

And this week’s Throwback Track is “You Know How To Love me” (Friscia & Lamboy Mix) by Phyllis Hyman

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Aug15

“Bamboozled: A Study In Race” (another blog by Alphonso King Jr.)

Monday, 15 August 2011 Written by // DJ Relentless Categories // Arts and Entertainment, Movies, Dj Relentless

If you have not seen “Bamboozled” I totally recommend you do. Especially for all the folks out there who think they have a handle on race relations.

“Bamboozled: A Study In Race” (another blog by Alphonso King Jr.)

Last night, my husband and I sat up really late and watched Spike Lee’s “Bamboozled”. Not one of his more popular or successful films, but actually one of my favorites. Probably because like most Spike Lee films they really make you examine your own personal thoughts on the subject matter. They never really give you a solution or resolution. Instead you are left with a sense of “that was fucked up....what just happened here?”

 

If you have not seen “Bamboozled” I totally recommend you do. Especially for all the folks out there who think they have a handle on race relations. The story line follows an African-American TV producer who comes up with an idea of recreating minstrel shows in order to be fired from his job. But to his surprise the show is a huge success and this is where the problems start for his character and the ones around him.

 

What’s really interesting is the fact that this movie from the year 2000 predates “The Dave Chapelle Show”. Looking at this film gives us a prophecy of what was to come. Ever wondered why Dave walked away from his very successful television show after only 2 seasons? Watch this film and you may have your answer. Often in my music reviews, I refer to a lot of the Hp Hop artists such as Lil' Wayne as the new minstrel show. Mainly because they don't realize that the industry is basically using them to show what the African-American experience is or what they'd like it to be: a thuggish black man whose only interests are sex, drugs and material things. They give this kid from the projects a lot of money and then act surprised when they get arrested on possession or weapons charges. It's all part of the puppet show to keep you from concentrating on the things that are important. Where are the Hip Hop artists like Public Enemy who actually had a message and an agenda? They don't exist today.

 

“Bamboozled” works on so many levels to deconstruct what we all think about race. Although it is about “black-face” and stereotypes of the African-American, it could be applied to any race. Spike always shows the full range of racism and discrimination. There are references to the obvious racist views, but there are also deeper looks into the divisions  of dark skin and light skin blacks. He really gives us a great look at this subject matter in “School Daze” with the musical number “Good And Bad Hair”.

 

And after sleeping on it, I started asking myself “why is there racism within a race?”

 

I’ll tell you why......because no matter where you are in the world, someone or some group of people want to feel better than another. In every race, be it White, Black, Asian, Middle Eastern or whatever......there is always one group that wants to be superior to another. Which is really silly since at the end of the day we all bleed red blood.

 

My first memory of realizing there was a difference between races goes back to the first grade. I sat at a round table with a little white girl named Christine, a little black boy named Bernard and a little latina girl named Maria. One day, I asked Chrstine if I could use her crayons and she said okay. Bernard asked and she told him “No, because you’re black”. Confused, I said “But I’m black too”. She said “No you’re not. You’re brown. He’s black!”

 

Until that moment, I had never really given color a thought when it came to people. And in actuality I was of Black, White and Puerto Rican descent, but have always considered myself just Black. Apparently, Christine had been taught that black people were bad and everyone else was okay. A very sad commentary on the state of race relations back in the early 1970’s. Especially right after all the civil rights movements that happened in the previous decade.

 

I guess the other reason I appreciate this film is because it pays homage to the black actors that never got recognition or fame like Paul Robeson or Sydney Poitier. Actors like Mantan Moreland and Steppin’ Fletcher were considered the “Uncle Tom(s)” of the industry. But like Louis Armstrong they played an important part in the struggle for equality of Arican-Americans. For all the butlers and maids played by black actors, it was still a step in the right direction to be visible in Hollywood. Remember... out of sight, out of mind. And like Harvey Fierstein says in “The Celluloid Closet” on the subject of the “sissy character” - “I’d rather some visibility than none at all.”

Jul16

POST PRIDE: "MILK AND THE OTHER THINGS I DIDN"T GET FROM MY MOTHER" (another blog by Jade Elektra aka DJ Relentless)

Saturday, 16 July 2011 Categories // DJ Relentless, Pride, Community Events, Arts and Entertainment, Events, Music, Dj Relentless

POST PRIDE:

It's 5:35 AM on July 3rd. On this final day of Pride Week in Toronto, I just finished watching a documentary called "The Times Of Harvey Milk" (thanks to my good friend, Andrew McCarthy). I had seen the film "Milk", but had not seen any real footage of the man who was the first openly gay elected official in the United States. I sorta feel that this should be required viewing for all young gay people.

 

Earlier this evening, I was reading a thread on facebook where some 20 something year old gay guy decided to trash Amanda Roberts for being old and working at Crews & Tangos(since he considered it to be the cool, young spot on Church Street). It was really shocking to actually read some of the comments this jerk from Hamilton had written. Why would the gay youth be so disrespectful on Pride Weekend? Why don't they realize that if it wasn't for the ones who came before them that they couldn't be who they are today? Remember...it was the drag queens who first fought with the police in the Stonewall Riots. Some said it was Judy Garland's death that sent the queens into a rage, but I think they were just tired of being pushed around. Judy's passing was just the catalyst they needed.

 

You wanna know why? It's simple. Reality TV! MTV really did the world a disservice by introducing "The Real World". Now we have idiots like Paris Hilton and Kim Kardashian getting richer as our youth watch and think that this is their deserved life. And I feel sorry for the up and coming drag queens because all they aspire to be is RuPaul. Can't they see that "Drag Race" is nothing but an informercial for Ru? That show doesn't teach you how to do drag. It just shows how to be devious and conduct yourself with bad manners and bad attention grabbing habits. And this is what we pass off as entertainment now.

 

The word for today is "entitlement". They don't know why they deserve to be in the spotlight. They definitely haven't earned it. I mean....when Judy Garland was a gay icon it was because gay men felt like she lived a tortured life like their own. They could hear the pain and heartache in her songs. Living in the closet because you had to really made you appreciate every shred of gayness that you experienced. Plus she would actually go and be a judge at drag pageants. Today's icons just proclaim that they are and the gay kids just follow. So, while they are being used for marketing they have no clue that it's just for record sales. Remember when Madonna was through with her gay audience. She had bigger sights on an Oscar and her vogue-ing days were over. "Don't cry for me Argentina!"

 

A few weeks ago, there was a personal essay that was presented as an article in a Toronto publication called "The Grid" by the name of "Dawn Of A New Gay". Written by some 20 something year olds, this piece boasted of the freedoms that these kids took for granted. It talked of how Church Street was dead and there really wasn't any need to participate in a Gay Community or Pride. Because these white middle class boys can go away with their lovers to their parents' country homes they really believe that the fight for equality is over. And even though they mentioned historical events like the Stonewall Riots, they clearly don't know or understand the significance of all the steps that the Gay Movement has accomplished and continue to work for. Last month's vote in New York for Gay Marriagewas a huge step in the right direction.

 

Watching this documentary really put our struggle in perspective. Figures like Harvey Milkand Bayard Rustin made history with their work. Drag performers like Sylvester and Divine opened many doors long before RuPaul. There's so much history in our community right here in Toronto. I have been very privileged to work with and get to know Michelle DuBarry. Here is a performer that is about to turn 80 years old this year. The stories and knowledge that she has to share are priceless. And as my grandmother used to say..."You don't get old by being a fool." But at the rate the younger generation is going, I doubt seriously that any of them will get to see 80.

 

So, on this final day of Pride Week I am sending out a wish for our future. I hope and pray that each and every person who is over 40 will take the time and talk with a young gay person in your life. I know that many of today's gay youth will probably ignore your advice and totally dismiss you for being old. But there will a few who are interested in what you have to say. Tell them of how it was for you to come out. Tell them of the experiences that have made you into the person you are today.

 

At the end of the documentary, they played a part of Mr. Milk's recorded will where he said..."You gotta give 'em hope". And no truer words were ever spoken.

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