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  • Six months of POZ-TO
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Arts and Entertainment

Apr11

Football as art

Thursday, 11 April 2013 Written by // Bob Leahy - Editor Categories // Arts and Entertainment, Performances, Opinion Pieces, Bob Leahy

Bob Leahy reviews "A Dance Tribute to the Art of Football", currently playing at Toronto’s Harbourfront as part of their exciting World Stage season.

Football as art

A Dance Tribute to the Art of Football is a title full of promise. There is, after all, room in spades in this subject area to celebrate the grace and athleticism of the game (soccer) and acknowledge the rituals of the game in entirely non-traditional ways.  And as savvy World Stage Artistic Director and programmer Tina Rasmussen says, there are neat parallels to be drawn between a dance company and a soccer team and in the way they go about the business of  entertaining an audience. So there is huge potential here for a show that cleverly blends the best of these two worlds.

And there are indeed moments to admire here, vignettes which combine just the right balance of macho and grace, moments of play slowed right down or frozen in time.  But there is also slapstick which grates, drawing scarcely a titter from the crowd and more moments where the dancers display both poor form and  fail to synchronize in the way we would expect from an internationally renowned group. 

Whether Norway’s Jo Stromgren Company, who have apparently toured this production long and hard, were sloppy on opening night or just are not world calibre I’m not sure - I'll give them the benefit of the doubt - but the production failed to garner much excitement in the terraces.

True, the three manly men and one woman on stage were likeable enough, even more so when the clothes came off for the final shower room scene, but those seeking a homoerotic romp may be a tad disappointed.

I’ve praised many a World Stage production – their shows typically are amongst the most exciting theatre in town – but I’ll need to politely says “needs more work” to this one.

A Dance Tribute to the Art of Football continues to April 13 at Harbourfont’s cozy Fleck Dance Theater.  For tickets and information go here.  

Apr08

How to turn 78 without shrivelling

Monday, 08 April 2013 Written by // Christopher Banks Categories // Arts and Entertainment, Gay Men, Movies, Lifestyle, Population Specific , Christopher Banks

Christopher Banks on senior gay men and the story of one happy gay men getting older gracefully.

How to turn 78 without shrivelling

Rob Calder features in the documentary about gay life in New Zealand, Men Like Us. 

As you read this sentence, Rob Calder is living the worst nightmare of many gay men.  He is 78 years old and single.

This is precisely why I was drawn to meet him.  Not just because he is single, but because he is single and flourishing.

Coping successfully with older age is something Rob does remarkably well, although he laughs that he still has days when he wants to lie in bed with the blankets over his head.

Some gay men reaching retirement age are in long-term relationships, and that’s their built-in support system.  What if you’re on your own in a world where you’re gay and there doesn’t appear to be anything that reflects your experience?

As I was delighted to discover by talking to Rob, there is actually a lot more than you think there is.  Older gay men have found and created their own social and support networks, but you have to look in order to find them.  You have to be active and put yourself out there, and Rob Calder is a man with a full diary.

“I think it’s extremely important to have a sense of control over your life, whatever age it is,” he says.

Rob has a tanned and healthy complexion, so it comes as little surprise when he says he’s been a naturist for a good part of his life.  “All my life I’ve liked to be naked in the sun, and I still do.”

Having only had my first experience of this recently, the idea is one I find personally horrifying.  I suggest that Rob must have always been comfortable with his body.

“No,” he says firmly, “I used to think it was awful and I was ugly.

In Rob’s case at least, growing older has meant that those neuroses have fallen away.  He now does life modeling.

I used to do it as a student to earn money, without my trousers off,” he laughs.  Then more recently I had friends who were artists, and they wanted a model, so I was it.  And these folk became my friends.  I just liked going along and being with them.”

He pulls out a folio to show me the drawings.  The lines and contours of his body are beautifully rendered, and I can see the attraction in giving yourself as a subject in this way.  If you’ve ever harboured feelings that you don’t measure up physically, seeing yourself the way that others do in the form of art can be very empowering.

Seeing drawings of Rob naked brings up the inevitable question of sex.  Sexual and romantic desires do not go away as we age, although there’s a perception that such things turn off like a tap at sixty.

Rob laughs that “the plumbing doesn’t work as well as it used to, but you’ve got be very philosophical about that.”  However, he adds, “I think I’ve got much more attracted to other men as I’ve got older.

The idea – or hope – that older people are asexual does not line up with reality at all.

“I’ve had friends who’ve worked in old folks’ homes and they say that many old folk are just desperate to be touched,” he says.  “I think intimacy is something that everybody needs, and it’s quite hard as you get older to get intimacy.  And that’s more being close to somebody than being sexual.”

When Rob retired, he set himself a series of goals, and steadily ticked them off.  He joined the gym and stayed active physically.  He taught himself to type.  He joined the gay and lesbian choir.  He’s recently taken up Tai Chi.  He reads a lot and attends lectures that interest him at universities.

He also likes holidays, but in a move that would seem unthinkable to the Facebook generation, he doesn’t take photos.  He keeps a journal, but it is reserved for postcards and bits of paraphernalia he finds interesting.  He doesn’t write a diary or keep a narrative.

It’s something I find intriguing and horrifying in equal measure.  Memories, like good wine, can mature over time, and as we get older they become more important to us.  While aging has never frightened me – forgetting terrifies me utterly.

“I went away overseas as all young Kiwis did, a long time ago, and I took photographs which were slides in those days.  I’ve looked at them twice since 1960,” he says.  They’re down at my son’s place because he wants to look at them sometime, but he’s not going to look at them.  They’ll just have to be thrown away.  I can’t see any point in having a whole lot of stuff.”

I felt profoundly sad when he said that to me; as if he didn’t see any value in the record of his life.  But I realised with his next sentence that it’s not an outlook borne out of depression, but of mindfulness and living in the present.

I like to be in today, really,” he says, before paraphrasing one of his favourite quotes from the Sanskrit: “Yesterday is only a dream, and tomorrow is only a vision.  But today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope.”

It’s said with such a deep sense of satisfaction that I envy his peacefulness.

“I’m very lucky,” he says.  “I’ve got good friends, I’ve got enough money, I’ve got good health.  I think I’m pretty optimistic, with the proviso that I’m allowed to get grumpy or sad every now and then.

“Mainly because I would really like to have a partner, I think,” he adds.  But that’s ok.

Rob accepts that life doesn’t have to be perfect in order for you to be happy.  “I’m about a million times more in touch with my feelings than I was as a young person.  I can express them, have people listen and accept them.

“And the other good thing about being older is that you’ve been through crap times and you’ve got through them.  So when a crap time comes along, I go with it, and know I’ll come out the other side.  You know you can, and you know you will.”

Rob’s full story can be found in the feature-length documentary Men Like Us, now available on DVD on digital download.

This article first appeared on Christopher’s own blog bipolarbear here. 

Mar27

Hey there, Charlie Boyes

Wednesday, 27 March 2013 Written by // DJ Relentless Categories // DJ Relentless, Community Events, Arts and Entertainment, Events, Music, Living with HIV, Events, Dj Relentless

Alphonso King Jr aka DJ Relentless talks to Charlie Boyes aka Jenna Syde about her upcoming performance at POZ-To, the next dance part for poz guys happening in Toronto April 7

Hey there, Charlie Boyes

Alphonso:  First, I'd like to thank you for being our model and entertainment for April 7th. Most folks only know you as your stage persona, Jenna Syde. But the "Average Joe" doesn't know that it is Charlie Boyes behind it. How long have you been performing?

Charlie Boyes: I have been performing as Jenna Syde for almost 6 years...but the character really stemmed from my old ClubKid/Goth days when i would dress up and wear elaborate make-up to various Fetish events around T.O. including the much missed Betty Page social club nights at Boots...and the Dungeon parties at Buddies in Bad times theatre.

Jenna is not your typical Church Street queen. She's got a bit of an edge to her. Charlie is kinda shy and quiet. How did you get to her as a character?

So i wouldnt say Jenna is opposite of me...and i DEFINITELY wouldn't say Charlie is either shy or quiet..its more of different splinters of the same person...I've always been interested in exploring the masculine/feminine entities that I believe exist in us all and then fucking with and re-appropriating gender roles.

I got to the character as a homage to all the women/men/gender benders that have inspired and shaped me in my youth...Siouxsie Sioux, Klaus Nomi, Divine, Nina Hagen, Grace Jones, Wendy O. Williams, Boy George, Annie Lennox...all these great strong creative beings inspired and shaped me growing up...I also found that drag had gotten quite stale and safe in this city...this town definitely needed an enema...I just needed to find a long enough hose!

So, Jenna is performing for our POZ-TO event. I wanted to shake things up and give an alternative to the party. Do you have something special planned for the show that night?

i am very excited to be performing at POZ T.O. and will have a few tricks and treats up my...er...sleeve for this empowering event!.

It was my idea to start using people from the community as models to put a face on Toronto's Poz scene. Not everyone is comfortable disclosing in such an open way. What made you decide to volunteer to be on our posters and flyers this month?

i decided to model as myself to make a public coming out as being HIV + ... It seems important as there is still so much shame and stigma out there as well as A LOT of ignorance about what this disease is ...and I needed to feel more comfortable with it

I myself have been very open about being HIV positive, but it wasn't easy. You know…if it wasn't for my husband I don't think that I would have the courage to be so public. I mean…I was out to my close friends and my lovers, but five or six years ago I wouldn't have dreamed of doing interviews about my status. How long have you been out as a positive guy?

i am out about my status to all friends and family.. it just seemed to be the right time...i was inspired by you and this event...it was kinda like publicly yelling out FUCK YEAH!! I M POZ TOO!!! ..lol..it has been liberating ...and surprising that some people have asked me dumb foundedly WHY?? would i want to ascociate myself with this??...my answer was"WHY WOULDNT I??

I was diagnosed only a little over 3 years ago.....so it just seemed to be the right time for me!!

Well, I am looking forward to your performance as Jenna and the next POZ-TO event. Do you have anything that you'd like to say to any young people in our community?

As far as anything to say to young people in our community...get tested regularily ...find the proper health care you deserve...trust your own feelings...educate yourself....live without fear..and with out shame...be fearless!

Mar22

Queer theater: Arigato, Tokyo reviewed

Friday, 22 March 2013 Written by // Bob Leahy - Editor Categories // Arts and Entertainment, Performances, Opinion Pieces, Bob Leahy

Bob Leahy goes to Buddies in Bad Times. Toronto to see the sexy new east-meets-west production Arigato Tokyo, playing until April 14.

Queer theater: Arigato, Tokyo reviewed

Photo by Jeremy Mimnagh 

Arigato,Tokyo – the word “arigato” means, I think "apology", although like many things Japanese, including this show,  it’s far more nuanced that that. In any event, this is the story of North American writer Carl visiting Japan for a series of book readings he's delivering.  He understands neither the language nor the culture, so he as an interpreter, a Japanese woman called Nushi, who accompanies him on the tour.

Middle-aged Carl is a highly sexual creature with fluid desires – he goes, we are told, with anyone who shows interest in him – male , female or combinations thereof. He also consumes vast amounts of illicit substances to get high while preparing to do so, which Nushi supplies him with.  So  we know  early on he is going to get it on with interpreter Nushi, who seems very willing indeed, and also her hunky brother, an actor in Japanese theatre, called Yori.  But it isn’t quite that simple, it turns out. Why is Nosh paying our writer’s way, and why is her brother seeming to both encourage and scuttle things>

That’s the bare bones of a story which plays on themes of love, largely unrequited – no make that all unrequited – and lust. It’s a very queer-friendly story too, coming from gay Canadian playwright Daniel MacIvor, teaming upon here with Buddies artist director Brendan Healy at the helm.  Whether Carl is gay or bi, or just sexual, it’s easy to identify with Carl’s searching, searching, seraching for sex with no commitment (ring any bells?) and his confusions with whom and what he wants in the end.

Two conquests are not enough, so we have a fourth character Etta Wake who serves as the narrator who guides us through the story but also slips in to the role of an androgynous night club artist who has fallen for Carl previously.

If this sounds like a polite or tidy ménage-a-trois, it isn’t. These relationships are, like love, messy as all get out as they turn in the wind. So this is not so much romantic drama as erotic thriller. Its ninety minutes go quickly.

This is a spare production using a bare stage and just a couple of props, reflecting a Japanese aesthetic totally appropriate to the unfolding drama, But there is clever lighting here from Kimberley Purtell, whom I’ll single out from the production team for working wonders with this bare space.  Costumes  from Julie Fox reflect exactly the right aesthetic too in a production which includes  fascinating elements of ritualized Japanese theater and movement. Everything blends well here, thanks to Healy’s confident, slightly quirky direction.

David Starch is truly excellent as Carl, toughly believable and authentic. The siblings played by Michael Dufays (nice muscles!) and Cara Gee are good. Toronto drag artist Tyson James as Etta Waken didn’t have the required charisma on opening night, but may grow in to this gem of a role.

I found the production totally engaging. It has all the trappings of an important work with a production which does the import of the show and its powerful themes justice.

With this production Buddies continues its string of edgy but accessible productions which deserve the attention of the Toronto queer community and beyond.  Go see it!

Arigato, Tokyo by Daniel MacIvor is playing at Buddies in Bad Times Theatre, 12 Alexander Street, Toronto (416) 975 8555 until April 14.

 Show Times Tues – Sat 8pm, Sun 2:30pm

Complete ticketing information – including prices, group sales, and rush tickets – is available here.

Mar17

Happy St Patrick’s Day

Sunday, 17 March 2013 Written by // What's Up Categories // Social Media, Arts and Entertainment, Movies, Events, Performances, Media, Revolving Door, Events, Guest Authors

We thought we'd better acknowledge that something green is happening today.

Happy St Patrick’s Day

And because the St Patrick’s Day video below is a little lame - even though it involves guys in towels in a steam room, no less -  we’ve included a bonus video featuring the last pope and some athletic shirtless guys.  It’s also lame, but in an entirely good way.

Watch the pope’s body language. More importantly, watch his eyes.  (Or watch the guys in white pants, your choice.)

Then go green. Happy St Patricks Day.

 

Mar07

Everyday Anthems

Thursday, 07 March 2013 Written by // Bob Leahy - Editor Categories // Arts and Entertainment, Performances, Opinion Pieces, Bob Leahy

In reviewing the latest creation out of Toronto Dance Theatre, part of Harbourfront’s World Stage season, Bob Leahy says there is nothing like live performance to stretch your mind and make your spirits soar.

 Everyday Anthems

"I believe in a sensory world and that when it comes to feeling, nothing surpasses the experience of live performance. I believe that when were surrounded by other people in a darkened theatre, when we’re witnessing something live, a bit of magic happens. We remember the value of a three dimensional life: that physical performance is the original high definition.  We remember how vital artistic expression is to our souls, hearts and minds."

Tina Rasmussen, Artistic Director, World Stage

I think I've said it before but the impact of the hot TV show So You Think You Can Dance cant be underestimated. Sure some, but not all, purists sniff, but there's little doubt that the show has introduced millions to the art of dance, whether it be hip hop, ballroom or modern, or everything in between. (Krump, anyone?)

But TV dance comes in ninety second snippets. More importantly, it's not the same as seeing it live, delivered by professionals just feet from you in a darkened theater.  That's a whole new experience.

Live dance too tends to be a bit more daring, a bit more out there, a bit more abstract.  Such is the case with Everyday Anthems, the new work from one of our country's best, Toronto Dance Theatre, currently at Harbourfront  in Toronto and part of World Stage's 2013 season.

World Stage, of course, is the same adventurous body that bought us one of the most talked about shows of the year, Dachschund UN, the uniquely entertaining dog-casted theatre installation which I reviewed here

So what does Everyday Anthems look like? Not really a lot like SYTYCD, not that that's a bad thing, so to be honest it may not be a great introduction to the world of modern dance as performed live today, if you are exploring the art form for the first time. This is cutting edge, edgy stuff that will certainly appeal to those who know their dance, perhaps less so for novices.  But be adventurous and try it. It's performed to an electronic/industral soundscape, all jagged, hard angles, and so is much of the dance. But this is incredibly inventive, atleltic stuff that holds the attention for its entire one hour running time.

The show is held together by storytelling. It's essentially about life, or at least I think it is, because there is room for individual interprrtation here. There are moments of drama and there is the humdrum too, just like life. Relationships, connections, missed relationships, remembered experience - they are all acted out with an immediacy that the opening night audience responded too very nicely. Choreographer Heidi Strauss came out beaming. 

The World Stage season continues with more shows that are likely to challenge, yet please.  Coming up, I particularly like the sound of A Dance Tribute to the Art of Football from a Norwegian dance company that opens April 10 and Still Standing You,what sounds like a very physical dance production from Belgium/Portugal that - gasp - features full frontal male nudity, opening April 23.  Full details of the World Stage season are here.

Everyday Anthems plays at the Fleck Dance Theatre, Harbourfront, Toronto until March 9.  For tickets and info go here

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