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Performances

Dec16

Louise Binder at the movies, at the Ballet and at the Museum

Friday, 16 December 2011 Categories // Arts and Entertainment, Movies, Performances

Our Dame Velveeta Peron sees Café de Flore, The Nutrcaker and The Mayans at the ROM

Cafe de Flore aka They should have left it on the cutting room floor

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Dear reader Why can't I warm to Canadian movies ? I guess this is a question for my shrink. I will explain to her that I find the plot development implausible at best; the endings a cop-out; the acting mediocre at best and that ultimate I just don't care. And I should be Blanche, I should. So unless you have to (a) see every Canadian movie ever made (b) see every French Canadian movie ever made (c) see every movie ever made with children with Down’s Syndrome (d) all of the above, forget this one.

Yours for less Canadian content, DVP

The Nutcracker - Let the Over-eating and Fake Fellowship Begin

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Dance (The National Ballet of Canada at the Sony Centre,Toronto)  It doesn't matter what I write about this old chestnut- I mean timeless classic. Nostalgia and boredom will drive parents, grandparents, aunts, uncles and other sordid - I mean assorted- folks to take quickly bored children to see this ballet.

In fairness, I thought this production better than many I have seen. The costumes didn't feel so heavy - except the red and gold ones that always have too religious an air for me. The dancing was fine and thanks to Karen Kain and company for recognizing that black children can dance- imagine.

So loosen your belts for too much egg nog and turkey and let the festivities begin.

Yours in Holiday overindulgence, DVP

Mayans - Developed Language and Calendars- Who knew ?

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The Mayan exhibit at the Royal Ontario Museum, Toronto is an excellent display of an ancient and interesting civilization. I recommend that for your first walk around you take a tour with one of the museum's docents and then just meander around the beautiful statues, clay pots and jewellery on show. It is a large exhibit so give yourself at least an hour and a half to get through it.

Yours in people's faces even older than mine, DVP

 

Dec14

It's Raining Circus!

Wednesday, 14 December 2011 Written by // Ken Monteith - Montreal Correspondent Categories // Arts and Entertainment, Events, Performances, Theatre, Ken Monteith

Ken Monteith gets wet in Montreal . “For me, the very best part of the show came at the end. Through some form of theatrical wizardry, there was water on the stage and then it started to rain.”

It's Raining Circus!

Every now and then, my mind wanders back to a terribly dusty experience of having seen a circus in a small town when I was too young to understand what was going on. The lasting memory: elephants are giant and very dusty. Circus has changed, and for the better, I have to say. I'm not a wild-eyed animal rights activist by any stretch of the imagination, but I don't find punishing animals into performing for humans all that entertaining, especially when the alternative is something as delightful as "Rain" by the Cirque Éloize.

This show has been around the world, playing hundreds of cities in dozens of countries and has made its way back to Montréal and to the Monument national, a theatre space that is also home to the National Theatre School and the Atelier lyrique of the Opéra de Montréal. If you haven't been to see a circus lately, you will be surprised that it is happening in a theatre. If you have, you will recognize that a theatre is the ideal place for this cabaret-type show, telling a story while showcasing truly magnificent feats of strength, flexibility and precision.

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This show really had it all, and after so many performances it is incredibly polished. But even after so many performances, the obvious delight of the performers in doing what they do still shines through brilliantly. They really do set an atmosphere of cabaret, with music and even costumes that made my mind wander back to a time before I was born…that kind of twenties or thirties cabaret performance somewhere in continental Europe.

The other dominant theme that emerges is slapstick: they don't miss a chance to "accidentally" drop someone or hit someone in the face with a juggling club. One of the pinnacle moments of comedy is the contortionist reluctantly being stretched and folded into a suitcase, despite all of her efforts to resist.

There are moments of sheer beauty, too. The four performers on the silks start out on the ground, with lighting effects and the manipulation of the fabric creating a beautiful scene. They go on to demonstrate all of the grace and drama that this discipline has to offer, assuming amazing positions one moment, dropping dramatically to within centimetres of the floor the next.

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For me, the very best part of the show came at the end. Through some form of theatrical wizardry, there was water on the stage and then it started to rain. The performers were like children in the rain, playing soccer (complete with fake dramatic injury as one player dropped to the floor in feigned agony), and plenty of sliding through the pooling water. That, as I understand it, was the goal of the creator of this show: bring forth our experience of rain as children, not as something from which to hide under awning or umbrella, but something to delight in and to play in with abandon. What a lovely way to wrap up a show that immersed us all in the delight of circus-style play throughout.

"Rain" is playing at the Monument national until 30 December. Can't make it to Montréal in this period? Watch your television schedule, as the night we saw it was the night that Radio-Canada (CBC French) was filming it for a future broadcast. If you're lucky, you will even hear the rather distinct laugh of one of my friends, peppered throughout the broadcast. 

Dec08

Louise Binder's Mega Review! Prince, Lots of Movies & More

Thursday, 08 December 2011 Categories // Art, Arts and Entertainment, Movies, Performances

Louise's Mega review of movies, plays and concerts. Who are the victims and the victors?

The Descendants- Dark Twisted Humour, My cup of tea

I knew nothing about the premise of the Descendants when I went to see it. I went because It got good reviews and George Clooney is in it- not in priority order. It took me a few minutes to realize that it was meant to be humorous even though there was a person in a coma from the outset. Once I did, I just sat back and enjoyed the ride. This is not for those seeking intellectual nourishment or those who think there is nothing funny about death - and life. I do and so did the cast of perfectly likeable characters on the screen. It is predictable but I didn't mind that either.

Yours for anything with George Clooney in it!

J. Edgar- The dullest Gay Guy Ever

Even Leonardo DiCaprio couldn't make J.Edgar Hoover interesting , let alone likeable. He remained an enigma to me at the end of the film and mostly I just didn't care what made him tick.The film was so bland that I didn't even feel outraged by all of the dirty tricks he pulls- barely indignant.

Leonardo DiCaprio acted very well and the make up and wardrobe were great but I sure hope he loses all that weight he gained for the part post haste.I f you have to see every Leonardo DiCaprio movie made or every movie with a closeted gay character ever made, go ahead. Otherwise you can do much better.

Yours with no patience for dull films.

Margin Call - A cautionary tale of our Times

Margin call is a realistic depiction of what probably took 24 hours before the latest crash in a brokerage firm. It is filled with great actors like Jeremy Irons and Demi Moore working for peanuts to tell this tale. The entire film was made for $3, a pittance in movie terms. It is told in a manner that allows even those of us who know nothing of the markets to see what is going on, if not exactly why. The film"s style reminded me of Mamet's Glengarry Glenross, which I always would have been better as a play. This would have made a great play but then it would not have reached the wide audience it has. Definitely worth seeing.

Martha Marcie May Marlene -Brilliant, Mesmerizing Manson-inspired film chills to the Bone

This is one of the best films of its genre I have seen. It is the story of a girl drawn into a cult but starts as she is leaving the cult and trying to reintegrate into society.

She returns to her sister and her sister's husband without telling them where she has been for the past two years. Her behaviour is bizarre but not surprising to those of us in the know. The directing is wonderful, moving back and forth from her time in the cult to present day. Elizabeth Olsen is amazing as the cult survivor and the supporting actors especially the cult crew and their leader is chilling and believable. The plot quietly but surely builds suspenseful to an enigmatic but nonetheless satisfying ending in my view. A must see.

Yours in Getting Ascared.

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The Skin I Live In- Retro Almodavar , But Why ?

I love Pedro Alomodavar's films but this one is like a slick, trite revisiting of gender identity themes of early Almodavar. Unless you must see every Allmodavar film or every gender identity film or every film with Antonio Banderas or every Spanish language film every made or are having trouble sleeping, skip this one.

Yours in insomnia.

50/50- Hilarious, Poignant, Realistic Tale of Fighting a Life-threatening Illness

This was a hilarious romp through the land of hospitals, doctors visits , tubes and pills and needles that make up the fight for survival against cancer. It is realistic, utterly believable and an ode to life. People with HIV, hepatitis or any other serious disease will recognize some aprts of their lives in this film. It was much better than I thought it would be. Don't miss this uplifting but not sappy film.The acting is very good too.

Yours in thumbing our noses at death,

The Guard- Outrageous Romp in Smalltown Ireland.

Do not miss this side-splitting Irish film about a policeman in a small town in Ireland who has to work with his opposite number from the U.S,. Don Cheadle, to intercept a big drug deal.The local characters are riotous and realistic. The dialogue is side splitting. A great movie for the Holidays. Don't miss it.

Hugo- An hommage to early films dressed up as a child's tale

This 3D film is okay but not great. It starts out with promise as the tale of a homeless child getting by on his own. Then it gets all tangled up as a homage to early films with Ben Kingsley as an early filmmaker who has become disillusioned by life. The children help him find his joie de vivre.
This film felt very been there-done that.I expected more of Scorses. Unless you need to see every Scorses film ever made, save your time and money.

Yours Feeling Bah-Humbug

Live Entertainment

Prince, the Artist Presently known as the King of Bling or Love your Hair ( and Butt) , Hope you Win

Prince is 53 but looks 23; he dances like its 1999 and does a 3 hour non stop show; he is so sexy he still doesn't put on underwear (my assessment) ; his voice is as strong and fluid as ever. One of the best live shows I have ever seen. Too bad if you missed it.

Yours gloating and fantasizing.

Chagall and Avant-Garde Russian Artists Exhibit - Art Gallery of Ontario - Great Scene

This is a terrific collection of Chagall work. How did he stay so optimistic in his work with all those Russian pogroms going on around him ? Oh yes, now I remember, he went to France. The other artists in the show are also amazing and there is even a woman artist. How good of her husband to let the little lady paint to wile away her leisure hours between cooking, cleaning and changing diapers. Wonderful show. Went twice and definitely worth it.
Yours in Haute Couture - I mean haute culture

Grace Kelly Exhibit - Toronto International Film Festival Building

Clothes, jewels, her wedding dress - very nice little exhibit. The most amazing fact I learned was that Grace Kelly was one of those rare women in which the clothes did not make the woman but the woman made the clothes.Some of the outfits on display look like ugly housefrau dresses and beside them are pictures of her in those dresses and they come alive. How does she do this ? Oh yes, may it's that's thimble-like waist and spectacular beauty.

Yours in love her and hate her.

Red - A Play-Goers Play at Canstage

Plays rely on two things - great dialogue and great acting- okay three , minimalist sets. So sayeth the Dame. This play had exactly that chemistry. Written by Josh Logan and directed by Kim Collier, it was an absolute delight. It is ostensibly about Mark Rothko the abstract impressionist artist who was also treated as second fiddle to Jackson Pollock. In the dialogue between Rothko and his assistant we cover the gamit of the history and theories of art, the meaning of living in the here and now and an ode to change and the ability to know when pass te torch without feeling a failure, a has been. Somethings about which everyone thinks including the great dwone, if you see it that way, death,I strongly recommend if you like pure, unadorned, intelligent thetare.

Yours in haute culture

Dame Velveeta Peron

Nov25

Dancing in the streets takes to the stage

Friday, 25 November 2011 Written by // Bob Leahy - Editor Categories // Arts and Entertainment, Performances, Theatre, Bob Leahy

Bob Leahy reviews two innovative shows at Toronto Harbourfront’s 2011/12 Next Steps Dance Season which highlight b-boy culture and urban dance – Enter the Shadow and Klorofyl.

Dancing in the streets takes to the stage

I don’t think I’ve ever seen urban dance – hip hop, breakdancing et al – featured so prominently on stage as in the two exciting shows currently running at Harbourfront in Toronto as part of their Next Steps season-long program of innovative modern dance. Which is another way of saying that if you are an urban/street dance fan – or perhaps you’ve seen it only on So You Think You Can Dance - and are looking for an entry point in to watching modern dance on stage, these two shows seriously warrant your consideration.

The first is the simpler, straight-ahead, more user-friendly of the two. Enter the Shadow (above, shown in rehearsal) comes from a young company called Break it Down, and features a large crew of twenty-something b-boys and b-girls showing you their best moves.  It is very much a primer in b-boy culture, and also a primer in urban dance moves. At one point in the show, for instance, a b-boy cast member explains the vocabulary of hip-hop while dancers behind him illustrate his words.

It’s all highly accessible. There is a somewhat thin story line – we go from block party to video shoot to prison to dance contest – all of which serve as a platform for a LOT of dance. Much of it is spectacularly good, particularly so in the solos and small group numbers and in the lyrically choreographed “Riders in the Storm.”  That number also highlights another of the show’s strengths; the music selected is unconventional, so you’ll find little hard hip-hop or rap here, but surprises instead.

The show is not without its failings. These young people are "emerging artists" in every sense of the word, so the show lacks polish. It needs much firmer direction too.  Still, it has an endearing let's-put-on-a-show quality to it, a likable cast and knock-your-socks-off dance moves a-plenty. It runs only to November 27 at the EnWave Theatre,

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Much more polished but nevertheless something of a companion piece is Klorofyl (above) from the dance company Gadfly, presented across the way at Harboufront’s Fleck Dance Theatre. What the two shows have in common is a grounding in urban street dance. Gadfly, though, moulds it and mixes it up with other modern dance styles in a highly sophisticated way. Add top notch production values, atmospheric lighting, talented and extremely committed dancers and an impressive score and this is first class dance fare all the way

What’s it about? Read the program and you’ll learn Klorofyl is based on The Seven Samurai. In truth I didn’t get the connection, but no matter. We seem to be in some post-apocalyptic landscape where the warrior inhabitants are dressed in futuristic black military outfits that include insect-like goggles.  It’s intense, not least because the soundscape by the extreme violinist Dr Draw is insanely frenetic, and the choreography matches it note for note. In fact I have never seen a piece so demanding of its dancers as this. At just over  an hour with no intermission it really is an incredible tour de force.

While the two shows are madlly different, the novelty is in seeing them share similar moves. They make for a nice double bill, which is in fact how you can buy tickets for the two. Both shows are reasonably priced, but run only to November 27.  Go to the Harbourfront website for further details and to buy tickets. 

Nov10

Love Lies Bleeding far from a drag.

Thursday, 10 November 2011 Written by // Bob Leahy - Editor Categories // Arts and Entertainment, Performances, Bob Leahy

Bob Leahy reviews the Alberta Ballet’s extraordinary show inspired by the songs and life of Elton John.

Love Lies Bleeding  far from a drag.

I think I can say with some certainty that you’ve never seen a show quite like Love Lies Bleeding before. More’s the pity. More’s the pity too that it only has a limited run – it’s playing at The Sony Centre, Toronto only until November 12. If you have a chance, even if you have never been to the ballet before, because this is a very unusual ballet indeed, go see it.

The show, choreographed with abandon by Alberta Ballet’s totally mad Jean Grand-Maitre, takes twelve songs by Elton John and sets them to dance to tell the story of Elton John’s career. With Elton’s full approval, apparently, there is much emphasis on his personal demons – drugs, sex (or more accurately sexual orientation) and rock and roll excess. Towards the end there is redemption in the form of a white knight, David, and a long kiss which brought cheers.

So the story is quite gay, and so is the staging. We are talking homo-eroticism almost throughout, served up with a large helping of bare male flesh and a tour through the fetish scene. The personal demons, for instance, appear in the form of a bevy of leather jock-strapped doms. And what could be gayer than Elton as Rocket Man, gliding along on roller blades with red lights beamed from his black codpiece and a stream of fire shooting out of his backside. Or Elton as a scantily clad angel, in the aerial sequence. Pure gay!

Costumes by Martine Bertrand are equally insane. We haven’t seen this much over-the-top fabulousness since Priscilla, Queen of the Desert sashayed in to town this time last year.

I’m not sure what classical ballet fans will think of all this. Certainly there is much real ballet Love Lies Bleeding's choreography is very much grounded in that vocabulary. That is the case even when a trio of towering drag queens in eight high heels hits the stage. Their game try at ballet in those preposterous costumes – and heels -made them instant audience favourites.

So clearly this ballet is heavily infused with Broadway. In fact the show looks very much like a Broadway musical, a deliberate move, I’m sure, designed with cash coffers in mind. And perhaps there is the rub. Sometimes the show seems to try almost too hard, like the flashy opening number, Benny and the Jets, where the corps is dressed as bat-swing baseball players and Elton spins endlessly on a revolving platform, underneath flashing lights. And then there is the raucous go-for-broke finale, Saturday Night’s Alright for Fighting, which is clearly calculated to bring the house down, albeit in a hugely winning way.


The show’s strongest moments, in fact, are its quietest ones. The extended concert version of Rocket Man, for instance, has these too and they are beautiful. So is the lyrical male/male duet between Elton and David, set to The Bridge.

I haven’t mentioned perhaps the shows strongest suit, the diminutive Yukichi Hattori, every inch the star, dancing the demanding lead role of Elton. He is a sensational dancer with charisma for days. It is in large part his performance that rivets your attention to the dancing itself, rather than the hoopla, no small feat when there is often so much going on on stage around him.

So yes, go see it if you can. Trying too hard or not, it’s a show that’s hard not to love, and the audience clearly did. Me too. It gets 3.5 out of 4 stars.

For more information and tickets, go here. Or to get a taste of what to expect, watch the video here.

 

Sep22

Watch me get naked for Kathy Griffin: I did win a free pair of tickets with my video

Thursday, 22 September 2011 Written by // Brian Finch - Founder Categories // Arts and Entertainment, Contributors, Performances, Brian Finch

Since I'm off to see Kathy Griffin's show this Sunday, I thought I'd dust off my ticket-winning video for everyone.

Watch me get naked for Kathy Griffin: I did win a free pair of tickets with my video

This September 25th, I will be heading out for my third pilgrimage to see Kathy Griffin who is my comedic hero.

A couple years ago I had made a video to win a DVD contest, but then after I got it done I realized I missed the deadline. A few months later they had an even better contest, tickets to her show at Pride in Milwaukee, and a meet and greet.

I decided to rework the video I had made and over dub the part about the DVD with “Win a meet and greet with Kathy Griffin”

I posted it on the forum as directed and I got a message from the web master saying how much he loved it and if I could repost the original. I thought for sure I had this in the bag.

There were only a couple other videos, one by a girl who did a song about Kathy Griffin’s mother who is often the brunt of wine jokes, “I was raised by a wine box” Griffin always says along with her mother yelling at her to “Tip it tip it!” as to get the last dregs of the wine out of the box

The other girl’s video was kind of lame, and yet she was chosen as the “first winner.” I did get the “second winner” status. Then I learned the meet and greet was a draw between the two of us. I didn’t know when that would happen.

Now I’ve flown to see Kathy Griffin in New York, I’ve seen here in bloody Orillia’s Casino Rama. Enough already, the only way I was going to Milwaukee was if I was going to meet her. I would have had a couple friends follow me with video cameras and made a great video out of it.

But since I had to go all the way there to find out, I decided not to go. I couldn’t give the tickets to a local AIDS group or something, as I had to be in person with ID to pick them up.

So that’s my little Kathy Griffin tale. This was a really popular video, and I thought it was worth dusting off with a little edit to tighten it up and take out a little bit that didn’t add to it.

For you Kathy, I got naked on a cold February day on my balcony.

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