Subscribe to our RSS feed

The Latest Stories By Mark S. King

  • What it feels like for a mom
  • Revisiting my sad and trivial night with Rock Hudson
  • Behind the scenes of the video series “A Day in the Life”
  • HIV and Gay Media: The Vanishing Virus
  • The increasingly strange case of Uncle Poodle

Mark S. King

Mark S. King

Mark S. King and his very funny site "My Fabulous Disease" must share some DNA with Positive Lite, because his light-hearted approach to living with HIV feels just like family. "My Fabulous Disease" has the authority of Mark's lifelong HIV activism mixed with the wit of your favorite gay uncle.

Jun14

The Crystal Meth Connection of the Gay Porn Killer

Thursday, 14 June 2012 Written by // Mark S. King - My Fabulous Disease Categories // Gay Men, Current Affairs, Opinion Pieces, Population Specific , Sex and Sexuality , Mark S. King

A shockingly honest post from Mark S. King who draws the dots between Canadian accused killer Luka Magnotta, Mark’s own struggle with crystal meth addiction and the very dark places it can take you to.

The Crystal Meth Connection of the Gay Porn Killer

I knew it. I felt it. It was as clear as the incessant call of crystal meth itself, on those nights when a seductive phantom of the drug cozies up to me in bed and brings its knitting.

In a Huffington Post news article on accused killer Luka Rocco Magnotta, buried in the story pages deep, a former lover says that the alleged murderer used methamphetamine, the drug popular among gay men that has claimed years of my life and left countless men in utter wreckage.

The story of the Canadian “low budget porn actor” has horrified the public with its harrowing details of torture, cannibalism, and necrophilia. The young man has been accused of killing a student, cutting him to pieces, and then mailing body parts to various locations. He allegedly consumed some of his victim and performed sexual acts with the body. He is also accused of uploading a video recording of the crime onto the internet.

Horrific, yes. But the sheer madness of the crimes, and the killer’s insane determination to make it as shocking as possible, was sickeningly familiar to a recovering methamphetamine addict like me. There is no evidence yet that crystal meth played a role in these crimes, but allow me to explain why the mix of porn, insanity and meth use struck a disturbing chord with me.

Among gay men who use recreational drugs, crystal meth abuse remains epidemic, sought for its fabled power to heighten sexual desire. In the last ten years, “crystal” has emptied nightclubs and sentenced friends to the isolation of online porn or to the emotional wasteland of “party and play” orgies frequented by fellow addicts, where syringes are common and condoms are not, and which feature exhausted, drug-driven sexual compulsives. The events have all the charm of dead bodies having sex.

Just as the drug demands more in its pursuit of the thrill of that first transformative rush, so does the sexual psyche. Before long, typical sexual behavior isn’t enough in the life of a crystal addict, and more extreme components are brought into play, such as risk and location, props and posturing, all as users experience a darkening of the sexual landscape that would cause your very soul to shudder.

In my experience, finding sexual fantasies to stimulate the weathered sexuality of meth abuse means exploring alien territory, where nothing is off-limits and the darker, the better. It becomes a perverse game of one-upmanship between addicts on the depths each will plummet for the sexual shock needed. You think about violence, one might ask the other. Fine, but have you ever thought about this? That’s hot, says the other, but what I really think about doing… is this.

Never mind that the images they are conjuring have never occurred to either of them prior to their addiction. They are mining something much darker than their authentic sexuality has ever known, all in the service of an insatiable sexual craving poisoned by a drug made with ingredients like ether, Drano and brake fluid. And so their perverse tales build and accelerate, tossed back and forth like playing volleyball with a severed head.

This is why the exploits of Mr. Magnotta set off my meth addict radar. The very outrageousness of his vile acts felt, to me, like an addict who had explored the depths of his imagination and come up short, for whom the depravity couldn’t be satisfied any longer without being made flesh. Whether his pre-existing insanity carried him across a mortal line or crystal meth pushed him over it, we don’t yet know. But meth addicts like me were shaking their heads at the accounts of Magnotta’s heinous acts and wondering why the rest of the world hadn’t suspected the connection, and why news reports hardly mentioned his crystal use as if it weren’t particularly relevant.

There are horrors that don’t arise from childhood abuse, or sociopathology or even garden variety insanity. They come from a white crystallized substance that promises everything and delivers nothing, that rewires your brain and twists your most human instincts into something that repulses even you.

Do meth addicts regularly commit murder? Of course not. But I have spent a few sleepless nights since the Magnotta story surfaced, haunted by fantasies I shared with other addicts that I had hoped to never face again.

I received a gift that too many addicts do not, the gift of finding help and taking it. Without my personal fortitude, without the trip to rehab or hitting bottom or the grace of God himself, my meth-soaked daydreams might have eventually hungered for something more intense, and beyond the safety of simple fantasy.

Instead, I have been saved, today, from what lies behind the darkest curtain. But make no mistake, I carry the burden of regrets, and they include those with a very human toll.

During the bleary days and nights of my last crystal meth relapse, I happened across a friend with whom I had been acquainted in a mutual program of drug addiction recovery. We didn’t speak of it during our few hours together, satisfied to smoke and inject meth without the intrusion of cleaner days. But being in his company vexed me. I had always ignored and denied my relapses to others in recovery and this occasion would be no different. If you didn’t see me do it, it didn’t happen. But this friend had seen, had known, and could later finger me as a liar.

If he came back into recovery, that is. And so, when considering this chance meeting of two meth users adrift, I had only one thought. One selfish, depraved and evil thought.

Maybe he won’t come back. Then no one will know about my lies.

For this addict in recovery, those who don’t come back from an extended relapse usually have met one of several possible fates, most of them dire. They may have been arrested and now face time in our horrendous penal system, or they are strapped to a gurney somewhere with serious bodily injury or a broken mind, or maybe they’re dead. To secretly hope anyone doesn’t come back from a relapse feels downright sociopathic.

What is the difference, I might ask, between taking a life outright and hoping another suffering addict continues sticking toxic needles in his arm, sentencing him to serious if not mortal consequences?

That man with whom I shared part of my relapse deserves to be in recovery – and I actually wished he wouldn’t find it. To call him my friend is a disgrace.

I might as well have cut him up into little pieces.

Mark

This article first appeared in Mark’s own blog, My Fabulous Disease

 

May27

Coming Out with Donna Summer

Sunday, 27 May 2012 Written by // Mark S. King - My Fabulous Disease Categories // Arts and Entertainment, Gay Men, Music, Living with HIV, Opinion Pieces, Population Specific , Mark S. King

Mark S. King remembers a musical icon that earned a treasured place in gay history

Coming Out with Donna Summer

The music my friends liked when I was a teenager intimidated me. It was the head-banging rock of the early seventies, and it felt alien and unappetizing. Most of all, it just felt… straight, in a way I knew I could never be. Alone in my room, I listened to my beloved Broadway musicals, and resigned myself to the fact that popular music would never really speak to me.

And then in 1977, when I was sixteen years old, I began sneaking into the only gay bar in Shreveport, Louisiana. Inside I found joy and liberty, fashioned with bell bottomed pants and handsome smiles and the dance floor – oh my God the dance floor – centering the nightclub was a glorious explosion of colored light and swinging hips and arms reaching up, up to the sky as if we could clutch it in our hands. The music was an entrancing bombardment of sound, and one song, one mesmerizing invitation to touch the heavens, was played again and again. 

It was Donna Summer. And she was singing “I Feel Love.”

The track was really the triumph of producer Georgio Moroder, who created the driving, synthesized beat that would define Donna Summer’s music for years to come. But I knew I had to own this amazing song, and soon I stood proudly at the record store cashier to buy my very first popular album, Donna Summer’s I Remember Yesterday. 

I had found my music, my voice, and my lifelong muse. 

The following year I had come out as a senior in high school, and Donna Summer was still in her “whisper period.” It was never my favorite sound from her – it felt like playing chopsticks on a grand piano – and I knew from her other album tracks that she could let it rip. As I was graduating she did just that, with the release of her iconic “Last Dance.” Her full-throttle pipes were on stunning display. Dance parties would never be the same. 

By the time I left home for college in New Orleans, the music of Donna Summer had exploded into popular culture. I felt so proud of her, as if I had discovered her myself. My nights in the French Quarter were spent in the Parade disco on Bourbon Street, dancing to “Hot Stuff” and “Bad Girls.” 

The feeling of joyous exuberance that surrounded that disco is hard to describe. It was a sea of shirtless men, staking claim to our sexuality and the promise of infinite possibilities ahead. The incessant thump! thump! thump! of the beat was our carrion call, and it shouted Here! Here! Your tribe is here! We were so beautiful, in ways we were much too young to know. 

And then soon, of course, the lights began to dim. 

By 1982, I was struggling in Los Angeles as an aspiring actor, and Donna Summer was having a musical identity crisis. Record executives wanted a new sound for her to accompany the changing times, and her longtime producer Georgio Moroder had been replaced by a succession of others. The red-hot Quincy Jones produced her Donna Summer album that year and their studio clashes became legendary. The album floundered and produced no significant hits. 

At the Los Angeles gay pride festival the next year, I was thrilled to hear Donna’s voice again, sounding gorgeous and almighty, singing “She Works Hard for the Money.” I took to the dance floor but was somehow unable to muster the joy I had known only a few years before. Life had intervened. And it had brutal plans for the men under the dance floor tent. 

Donna Summer produced dance floor singles, if not hits, in the years that followed, but we weren’t paying attention. The night club crowds dissipated, as a silent killer plucked men away one by one. AIDS had begun its murderous march through the gay community. 

The villain wasn’t simply the disease in those darkest of days. It was ignorance, and the judgment that rose up from social conservatives who saw Godly retribution in the horrific deaths of our friends. And so, when Donna Summer became a born-again Christian during this period and announced she would no longer perform her early, erotically charged hit “Love to Love You, Baby,” her gay audience viewed her with immediate suspicion. 

An ugly rumor began. Someone claimed to have heard her make a homophobic remark during a concert appearance. Depending on who was repeating the story, she had either said AIDS was God’s judgment, or that God made Adam and Eve, not Adam and Steve. The unsubstantiated rumor swirled and grew, in an environment in which gay men were particularly sensitive to ignorance and hatred. By the time Donna Summer took it all seriously enough to set the record straight, it was too late. What was left of her popularity fell victim to the social maelstrom of AIDS. 

I never believed the story, and defiantly continued buying her albums, though they appeared with less regularity. Donna Summer would have only one more true hit, “This Time I Know It’s for Real,” which I chose to perform for my maiden appearance in drag at an AIDS benefit. The fact that during this time Donna Summer was raising money for AIDS research gained little traction among emotionally bruised and unforgiving gay men. 

Today, disco may be dead, but Donna Summer’s music laid the groundwork for everyone from Madonna to Lady GaGa, even if my body has found it harder to approximate the dance floor moves of my youth. But in my mind, as I blast “Dim All the Lights” in the privacy of my living room, I am young and powerful and life is making promises that are wonderful and possible. 

Donna Summer is among the spirits now, joining the legions of ghosts haunting brightly colored discos from another era. She is still cooing to them, to these throngs of boisterous men, inviting them to the dance, and there is everything to celebrate and nothing to forgive. 

The men are moving to the beat and laughing and holding one another. They are all beautiful, and they know it. 

And they feel love.

This article first appeared in Mark S. King’s own blog, My Fabulous Disease

 

Apr13

Remembering, and Saying Her Name

Friday, 13 April 2012 Written by // Mark S. King - My Fabulous Disease Categories // Social Media, Gay Men, Living with HIV, Media, Population Specific , Mark S. King

Mark S. King on his blogging career with TheBody.com, the woman who helped him start and a look back at his very first video effort.

Remembering, and Saying Her Name

In the Summer of 2008, I received a curious package from Bonnie Goldman, the editor of TheBody.com. Inside was a Flip video camera, what was then a new-fangled device that allowed you to take video footage with a camera the size of a pack of cigarettes.

It came with a simple note. “I think you should try this,” it said.

How did she know? I wondered. I had never mentioned to her that I once taped a special for my newborn niece, back when video cameras were the size of footballs and editing consisted of painstakingly recording segments from one VCR to another. “Carly’s Video” consisted of magic tricks, songs and a dramatic reading of “Yurtle the Turtle.”

And yet, Bonnie had the notion that I might have some fun documenting my life as a gay man living with HIV. Immediately, I bought editing software online and started to learn it. But I had my doubts.

There wasn’t anything particularly special about my life, I complained to her in a phone call to her New York office. And a lot of it, like my ongoing struggle with drug addiction, was downright seedy.

 “Tell the truth,” she said. “The more honest you are, the better it will be.”

I trusted her judgment. In my writing for TheBody over the previous years, Bonnie had always demanded the best of me. We regularly debated topics and my approach to my written pieces, and anything that sounded too easy, that contained more platitudes than honest emotion, was questioned. The same would hold true for the video episodes that I quickly began producing.

In September of 2008, “My Fabulous Disease” premiered on TheBody.com. The first episode was an introduction to my life, and already I was being playful with the camera and the potential of video. It concluded with the mantra that Bonnie had instilled in me. “I can’t promise this will always be entertaining,” I said. “But I can promise I will always be honest. So. Let’s see what happens…”

Since then, plenty has happened. When I spent time in Michigan caring for a brother dying of cancer, the camera was there. When I was treated for facial lipoatrophy by getting injections of facial filler, I brought the camera. For everything from my thoughts on barebacking to touring a gay sex club to drug relapses to HIV criminalization to the international AIDS conference in Vienna, I documented everything using the inventive gift sent to me by Bonnie Goldman.

When Bonnie left TheBody a few years ago, I missed her counsel and her friendship. She was maddeningly hard to reach in the two years after, and I wondered if our friendship had been purely professional.

And then the news, in January of 2011, that Bonnie had died after a long struggle with cancer. She had fought it privately, and I felt ashamed for having wanted more contact during what was clearly a difficult time.

Only now, more than a year after her passing, am I finally writing about her death, something so deeply felt I haven’t found the words. I am searching for them still. Life keeps showing up. New people populate it, projects come and go, video episodes of My Fabulous Disease are made. And it has been too long since I have said her name out loud. Bonnie. Bonnie Goldman.

We all come across things, tokens from a person, from a life we treasured but has faded from view. A photograph on a shelf that we pass in the hallway. A shirt in the closet. A book. A recipe.

A broken video camera that has outlived its purpose, that I cannot bear to throw away.

This article first appeared on Mark's blog, My Fabulous Disease.

Apr06

The Unfortunate Pursuits of the Idle Blogger

Friday, 06 April 2012 Written by // Mark S. King - My Fabulous Disease Categories // Arts and Entertainment, Gay Men, Lifestyle, Living with HIV, Population Specific , Sex and Sexuality , Mark S. King

Writer Mark S. King is asked to critique some “gay erotic fiction” aka porn sent to him. “Using standard literary analysis felt like watching a skin flick and wondering if the wooden floors they’re flailing around on are bamboo.”

The Unfortunate Pursuits of the Idle Blogger

Being a writer is not without its perks. I can’t exactly name one at the moment, but I’m certain they exist. Hold it, here’s one. Starting sentences with “Being a writer…” Oh, and receiving gay erotic fiction from a guy who wants feedback on his work.

This morning as I chomped down my Raisin Bran Crunch, I opened email from an aspiring writer and read his gay sex story called “Jason’s Awakening.” The title has kind of a grand sweep, don’t you think? Very English Patient. Or The Sheltering Sky.

Anyway, Jason is 25 and textbook hot, if textbooks gauged such things, and happily engages in his first homo experience in the gym sauna with another muscled hottie. Everything goes along swimmingly, so they do it again in the gym shower. And then again twenty minutes later back at the house. I kept hoping they would grab some bottled water to stay hydrated. Our characters are both frighteningly endowed and no one complains about rectal spasms or asks the guy to please slow down for one damn minute, for God’s sake. But I’m projecting.

I had hoped to be transported, as good writing often does. But my critical eye kept getting in the way.

What kind of gym was this, anyway? Certainly not LA Fitness. That sauna has more of a Jewish deli flavor, with older men wearing ill-considered briefs and complaining about the poor selection at the juice bar.

This Jason fellow was mighty accommodating during his “awakening” in the dry sauna, I must say. Why was it that now, at his age, he was just waking up? From the descriptions of his maiden sexual voyage he looked wide awake to me. Maybe it simply took the right sauna. The wooden planks at LA Fitness are murder.

Reviewing porn over breakfast was crushing to my perceived position in the literary universe, I will admit. I would have preferred, say, examining a potential submission to OUT Traveler on the rustic beaches of Croatia. Hell, they could be nude beaches, I wouldn’t mind. Instead I get enthusiastic Jason, with orgasms launched with such range they confound physics as we know it.

Worse yet was writing my response. Aside from the existential crisis I endured over morning coffee, wondering how it had come to this and ruefully damning my life choices, there was the matter of deciding what to say in my role as the experienced wordsmith. First, deconstructing porn takes all the fun out of it. And once engaged in the task, using standard literary analysis felt like watching a skin flick and wondering if the wooden floors they’re flailing around on are bamboo.

I tried to be helpful in my email to the fledgling writer, pointing out the lack of backstory for Jason and actually using phrases, so help me, like “character flaw” and “conflict.” He also had the irksome habit of using language that “removes the reader from the scene at hand,” as I dutifully explained. You know, like mentioning the many flavorful selections provided by the Keurig gourmet coffeemaker on the kitchen counter, which I suppose you might spy if you looked just over the shoulder of the man getting boinked against the sink.

There are also words that are a smidgen overused in writing for this particular milieu. (Yes. I said milieu. Allow me to exercise my vocabulary after the soul crushing morning I’ve had.) Words like “engorged,” for example. There are others, and they are probably crossing your mind about now. Sorry about that.

Some words seem to exist almost solely in the context of porn. Case in point: I defy you to find the word “perineum” outside The Physician’s Desk Reference. And yet there it was, nestled in the text of Jason’s adventures, a ten dollar word stranded amidst sticky loose change.

Twice.

Go ahead, Google the word. I got all day. It’s not like I have stacks of porn to wade through. Nope. I only had the one.

With my literary critique complete, I charged on through lunch with other vital business, like finding pictures online of my friends to attach to their names on my phone. I love to see their happy faces appear when they call, all of them smiling reassuringly, as if to say they believe in me, they applaud my brave and transformative work, that I couldn’t possibly be sipping coffee and bemoaning the lack of synonyms for “scrotum.

I will trust those happy faces. They needn’t know of my morning reading. I will simply consider it an exercise in “expanding my skill set” and “pushing the envelope.” Yes. I like the sound of that.

And now I have some further work to do on my phone’s contact list. I need to assign a photo to the author of today’s reading, and it may take some time to find an image of a perineum.

This article first appeared on My Fabulous Disease, Mark S. King’s regular – and fabulous - blog. 

Mar25

Dealing with Shame can be a Drag

Sunday, 25 March 2012 Written by // Mark S. King - My Fabulous Disease Categories // Arts and Entertainment, Gay Men, Performances, Living with HIV, Population Specific , Mark S. King

Mark S. King says “Being a drag queen, even for a night, terrified and delighted me. But the performer in me won out, wouldn’t you know, and Anita Mann was born.” The rest is history!

Dealing with Shame can be a Drag

We’re born naked… and the rest is drag.” — RuPaul

When I was nine years old, I took my parents’ album of the Broadway musical “Damn Yankees” and memorized every syllable of Gwen Verdon’s show stopper, “Who’s Got the Pain When They Do the Mambo?” Once I was satisfied with my lip-synching and choreography (I decided that a mambo was a dance in which young boys gyrated and flung themselves on and off the living room sofa), the number was ready for public display.

The premiere was a simple affair, exclusive and unannounced. Mrs. May from across the street had stopped in for afternoon coffee, and opportunity knocked when Mother busied herself in the kitchen for a few minutes.

 Not a smart move, Mother, leaving Mark alone with the company.

“Mrs. May, would you like to see me do a song?” The unsuspecting woman gave a polite “yes, that sounds nice” and before Mother could run interference I had turned on the stereo and dropped the needle at the precise moment where Gwen breaks into song.

Mrs. May stared and stared, her hands folded neatly in her lap, as I brought out every sashay, twist and thrust in my dancing arsenal. My moves may have been imperfect but I vocalized brilliantly, thanks to Gwen. As I struck my final pose, arms reaching for the heavens, frozen and triumphant, I saw mother standing in the doorway, holding a plate of cookies and breathing heavily through her nostrils.

Future performances would be limited to my bedroom, where I could conjure an audience cheering with acclamation and mothers wouldn’t put you on restriction.

It is that boy, the cheerful but feminine performer, that I always feared would creep out of me as I navigated young adulthood as a gay man. I worked to shed his characteristics, to replace every soft gesture with a wooden one, to embrace the gym and tank tops and Levi jeans with the same fervor I once had for my beloved Broadway musicals, with mixed success.

And then, a lifetime later, as I worked for an AIDS agency in Atlanta in the 90’s, destiny called. An upcoming drag contest to benefit our agency was suffering from poor participation, and my boss asked if I would consider entering.

Being a drag queen, even for a night, terrified and delighted me. But the performer in me won out, wouldn’t you know, and Anita Mann was born. I created an interactive video rendition of Donna Summer’s “This Time I Know It’s for Real,” (even then, long before this blog, I was toying with the possibilities of video) and won the contest.

 Soon I was performing with “the camp drag queens of the south,” The Armorettes, who hosted a Sunday night show to raise funds for AIDS organizations. Over the years they have raised over $1 million, and their show was a sellout every week. But my own phobic notions lingered.

I didn’t want to be known as a drag queen (“It’s comedy! I’m a performer!” I would insist). I never appeared anywhere in drag but on that stage – I would always get dressed at the show, and was often out of drag for the final curtain call, in a bid to display whatever masculine credentials I had to offer.

I would hear other gay men make disparaging remarks about drag and I withered, unable to admit I was playing to a packed room every Sunday.

The nexus of shame and shamelessness is a complicated one. Each week I put on full display the very things about myself that I had worked so hard to reject – my femininity, my silly pursuit of acceptance through laughter and applause. And just as I gained confidence in what I was doing and why, I would lose a potential boyfriend when he learned of my weekend talents.

As a growing drug addiction encroached on my free time, I abandoned Anita Mann to its demands. For many years thereafter, Anita’s dress and wig would be relegated to a duffel bag hidden in the back of the hallway closet. I had found a vocation in drugs that offered twice the shame and every bit of the need to keep quiet about it.

It took a few years in recovery from my addiction before Anita would make her comeback. Armed with a TV set and a sense of the absurd, Anita performed at a benefit for those of us in recovery, in what may have been her finest hour. Her rendition of “Don’t Get Around Much Anymore” grows more insane by the moment, and perfectly embodied my interest in multi-media performance.

And yes, I am aware that I speak of her in the third person. Maybe it is because I view her as a character I have created, and perhaps it is the remnants of shame, and of my need to keep her at a distance.

It’s strange, how those things about which we have drawn the most shame are also able to liberate us, not to mention help others. My HIV status. My drug addiction. My drag personality. As I have embraced each of these, I’ve found self-acceptance and a way to carry a message of hope, and even joy, to others.

Anita Mann limits her performances these days to recovery-related engagements. It seems fitting that these two aspects of my life, both once secretive, have found their place together. Anita has a voice now as well, doing a sort of recovery stand-up and even singing live when the occasion permits. Anyone in recovery might enjoy watching the highlights of her recent stint at the Crystal Meth Anonymous conference in Atlanta, which includes her bittersweet rendition of “Happiness is…”

Meanwhile, I still struggle with the need to project as much masculinity as I can muster. I swagger more than I sashay. I sport a beard when possible. And I work to maintain a strict gym regimen.

It’s important for me to stay in shape if I expect to fit in that dress.

This article first appeared in Mark S. King’s own blog My Fabulous Disease.

Feb24

Living with Hep C

Friday, 24 February 2012 Written by // Mark S. King - My Fabulous Disease Categories // Hep B and C, Gay Men, Health, Living with HIV, Population Specific , Mark S. King

Mark S King has been there. But he says “The good news, thank God, is that the treatment plan worked, and I cleared hepatitis C from my body. There has been no recurrence. “

Living with Hep C

The image in my mind has never left me, even after many years of trying, of applying layers of wallpaper to that corner of my mind. I am in someone’s bedroom — it could have been anyone, really — and I am offered a syringe to inject crystal meth. The syringe has been used. I take it. I consider the consequences for a brief moment, but I am cavalier. And very, very high. I use the syringe.

It wasn’t the threat of HIV that gave me pause. It was hepatitis C, which I knew was serious… and that’s about it. But I can tell you this, now, my friends: More U.S. residents are now dying of hepatitis C complications than HIV-related illnesses, as reported recently by Tim Horn in Hepatitis News.  

Within days of using that syringe, maybe two weeks, I become horrifically ill. The acute infection swept through me like a freight train, exhausting me, turning my urine brown, making it impossible to perform routine tasks. Doctors diagnosed it quickly, and then gave me the grave treatment plan: 11 months of interferon, coupled with ribavirin. The interferon, a ferocious chemotherapy, would cause mood swings, deep depression, and would be administered, ironically, by injecting myself with it each week.

Depression is so severe among interferon patients that they do not allow pilots to fly who are being treated with it, for fear they will deliberately crash the plane.

The months I endured with hepatitis C and the treatment protocol remains the worst period of health in my life. The mental side effects were as devastating as the illness. Everything hurt. Everything made me angry. Or want to cry. Or convinced me you were against me. Those eleven months crawled by without mercy.

The good news, thank God, is that the treatment plan worked, and I cleared hepatitis C from my body. There has been no recurrence.

I’ve said that the disease most likely to kill me is addiction, not HIV, and hepatitis C was a terrible by-product of my addiction.

While I am drug-free today and maintaining good health, the report that hepatitis C has overtaken HIV as a cause of death brought up some strong emotions. It reminded me of the insanity of the interferon treatment, and then, of course, the insanity of my drug addiction. And it made me wonder how many of those who are dying of hepatitis C acquired it the same way I did.

My life is filled with unlikely rescues. To have lived with HIV for thirty years and to be here typing on my laptop is amazing. To have thumbed my nose at that fact, and reward my good fortune by sticking needles in my arm, well, that is as alarming and sad to me as it must be to you. It’s tough to feel worthy of the grace that has saved me, again and again. So I’ll simply be grateful to be clean and alive today.

Get tested for hepatitis and get the vaccine for A and B if you have not already been exposed. And should you be an injection drug user, bring your own clean needles wherever you use. You and I both know that, when the choice is a used needle or getting high, all of our good fortune can disappear in a flash.

Mark

p.s. May I sneak back on my HIV criminalization soap box for a moment? If 26 U.S. States have laws criminalizing the potential exposure of HIV to another person, than why don’t they have laws against exposing someone to hepatitis C, which is now officially more deadly than HIV? Thank you. That will be all.

You can read more of Mark S. King on his own blog My Fabulous Disease here

MarketPlace